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Restoration of the Baroque Altarpiece in Trucíos

News from Eleiz Museoa – Bilbao Diocesan Museum of Sacred Art

The Eleiz Museoa in Bilbao shares the successful restoration of the 17th-century Virgen del Amor Hermoso altarpiece from the San Pedro de Romaña church. This meticulous conservation project recovered the original baroque craftsmanship, including the intricate masonry and polychromy work by historic artists.

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Close up view of the intricate restored baroque altarpiece from Trucíos displayed at the Eleiz Museoa.

Eleiz Museoa and the Baroque Heritage of Bizkaia: The Trucíos Altarpiece Restoration

Visitors exploring sacred heritage in Bilbao and the surrounding province of Bizkaia can gain a deeper appreciation of regional craftsmanship through recent conservation efforts. The meticulous preservation work completed on the altarpiece of the Virgen del Amor Hermoso—located in the parish church of San Pedro de Romaña in Trucíos—highlights the intricate history embedded in local ecclesiastical art.

Exploring Baroque Craftsmanship and Earlier Legacies

Originally crafted between 1680 and 1684, this magnificent Baroque altarpiece is the creation of sculptor Francisco Martínez, with polychromy executed by Pedro Bernales. Both artists originated from Cantabria, reflecting a period of active artistic exchange across neighboring regions in Bizkaia.

The structure itself displays quintessential Baroque characteristics of its era, featuring twisting Solomonic columns, carved vines, elaborate foliage, and large fleurons. While the accompanying carvings also date to the Baroque period of the 18th century, a notable exception is the central Crucifixion figure. This piece dates back to the late Gothic period around 1525, suggesting it may have survived from an earlier altarpiece predating the main structure.

Behind the Conservation Process

Carried out by the restoration specialists at Áurea, the preservation project involved stabilizing the overall structure, careful surface cleaning, and the removal of later layers of repainting. Conservators also reconstructed lost volumes and carefully repolychromed areas that had faded or been erased over time.

This detailed intervention was made possible through institutional collaboration, supported by funding from the Department of Culture of the Provincial Council of Bizkaia alongside contributions from the Town Council of Trucíos.

To plan your visit and discover more sacred art, installations, and cultural spots across the city, you can explore the Bilbao museums guide, check current listings on Musemap, or view the interactive city map.

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What is the subject of the recent restoration project at Eleiz Museoa?

The project involved the restoration of the 17th-century altarpiece of the Virgen del Amor Hermoso, originally located in the San Pedro de Romaña parish church in Trucíos.

Who created the original altarpiece in Trucíos?

The baroque altarpiece was crafted by sculptor Francisco Martínez between 1680 and 1684, with polychromy work provided by Pedro Bernales.

What specific techniques were used in the restoration?

The restoration, conducted by the company Áurea, included structural adjustments, thorough cleaning, removal of later repainting, reconstruction of lost volumes, and restoration of the polychromed areas.

Does the altarpiece contain elements from different time periods?

Yes, while the main structure is 17th-century Baroque, it includes 18th-century carvings and a Crucifixion figure that dates back to the late Gothic period around 1525.

Who funded the restoration of the Trucíos altarpiece?

The restoration was supported by the Department of Culture of the Provincial Council of Bizkaia and the Town Council of Trucíos.

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