This exhibition explores the intersection of the international De Stijl movement and Antwerp’s Modern Art Circle, showcasing their shared vision of geometric abstraction as a universal language. Visitors can explore how these avant-garde groups sought to transcend borders through painting, architecture, and design to build a new post-war world.
Following the destruction of the First World War, avant-garde artists across Europe sought to rebuild society through a new, universal aesthetic. This exhibition highlights the vibrant dialogue between Theo van Doesburg’s influential De Stijl movement and the lesser-known but equally significant Antwerp-based Modern Art Circle led by Jozef Peeters. By examining their shared commitment to geometric forms, bold colors, and an all-encompassing artistic idiom that extended into architecture and furniture, the display demonstrates how these artists envisioned art as a tool for creating new, interconnected communities.
Central to the presentation is a rare maquette of the Café L’Aubette interior by Theo van Doesburg, on loan from the Nieuwe Instituut in Rotterdam. This dialogue is further enriched by a recently recovered work by Georges Vantongerloo, the only Belgian signatory of the De Stijl manifesto. Through a comprehensive selection of paintings, drawings, architectural designs, and magazines, the exhibition provides a stage for these visionary artists to re-examine their roles in shaping 20th-century abstraction.