Curated by Ines Tondar, this debut solo exhibition by Basel-based artist and musician Yanik Soland investigates how sound can be effectively exhibited. The presentation synthesizes his long-term exploration of sound, sculpture, and performance. Visitors can experience a newly conceived arrangement that makes auditory elements tangible as a physical presence.
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This exhibition marks the first institutional solo presentation by Basel-based artist and musician Yanik Soland. It features a newly conceived arrangement that synthesizes his long-term exploration of sound, sculpture, and performance.
Yanik Soland's debut institutional solo exhibition at Kunsthaus Baselland offers an in-depth look at his multidisciplinary artistic practice. The presentation brings together various strands of his work, which frequently engages with the intersections of sound, material, and spatial environments. By investigating how sound can be effectively exhibited, the artist challenges traditional perceptions, aiming to make auditory experience visible and tangible as a physical presence. Curated by Ines Tondar, the exhibition provides a comprehensive overview of Soland's long-standing research into the relationship between the acoustic and the sculptural.
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