This exhibition explores the life and work of Viennese composer Erich Zeisl, tracing his journey from his native city to his exile in Paris, New York, and Los Angeles. It highlights the impact of National Socialism on his career and the evolution of his style towards 'Jewish art music'.
Erich Zeisl (1905-1959) is recognized as a significant Viennese composer whose works have re-emerged through exile music research. Born in Vienna, he studied at the Academy of Music and Performing Arts, but his promising career was shattered by the rise of National Socialism. His last German-language song, "Komm süßer Tod," composed in early 1938, marked the end of his flourishing career in Austria before his dramatic escape to Paris following the November pogrom of 1938. This exhibition makes tangible the rupture of exile, presenting a clear 'before' and 'after' in Zeisl's biography and public reception. The narrative follows his exile locations: Paris, New York, and Los Angeles, exploring how his style shifted towards 'Jewish art music.' The exhibition honors Zeisl's deep connection to Vienna and his life abroad, made possible by the donation of his extensive correspondence and musical estate by his daughter, Barbara Zeisl-Schoenberg, and grandson, Randy Schoenberg, to the mdw's Exilarte Center archive.