Unveiling Ars Moriendi: The Art of Dying Exhibition at Loreta Prague's Crypts
Discover the profound Baroque concept of human existence and funerary spirituality through unique frescoes and historical discoveries.
The historical Ars Moriendi exhibition at Loreta Prague explored the Baroque concept of the art of dying. It showcased unique mural paintings discovered within the Loretan Crypts, depicting themes of death, resurrection, and human transience from 1664. Visitors experienced the crypt space through a three-dimensional model and documentary film, alongside exhibits on historical burial practices and Baroque funerary art.
Read curatorial context and practical visitor information for Ars Moriendi at Loreta in Prague
Exhibition summary
This exhibition, held in the Loretan Crypts from May 4 to November 30, 2012, delves into the Baroque concept of 'Ars Moriendi' – the art of dying. It showcases unique Baroque mural paintings discovered in the crypt, depicting motifs of death, resurrection, and the transience of human existence.
Curatorial context
The exhibition 'Ars Moriendi – The Art of Dying' took place in the Loretan Crypts from May 4th to November 30th, 2012, offering a profound look at the inner grasp of the end of human existence as a gateway to eternal life. A central focus is the introduction of the previously unknown crypt space beneath the church of the Nativity of Our Lord. This fascinating discovery yielded unique Baroque mural paintings created in 1664, characterized by exceptional quality and the chiaroscuro technique using only black and grey shades. These frescos depict allegories of Time, symbols of human fragility, and themes of Death and Resurrection. The main scene, 'The Raising of Lazarus,' is notably based on a Rembrandt etching, representing an early response to the artist's work.
Due to the sensitive nature of the crypt space, visitors experience a three-dimensional model of the crypt, accompanied by a documentary film about its opening. The exhibition also features photographs and documentation of the restoration work. Further exhibits explore Loreto's burial practices, including the design of a Castrum Doloris from 1698, a collection of Baroque funerary textiles, and reliquary crosses from the Loreto treasure. Additionally, the exhibition showcases borrowed Baroque coffin lids from Brno and two Baroque Franciscan convent mortuaries, broadening the understanding of the order's funerary spirituality.
Admission and ticket notes
The page does not provide specific ticketing information for this past exhibition, but it mentions that the exhibition catalogue is available, including an English version.
Ars Moriendi key exhibition facts
Review exhibition status, schedule, venue context, and attribution details for Ars Moriendi at Loreta in Prague
Venue
Loreta
Current status
Completed
Exhibition schedule
May 4, 2012 – Nov 30, 2012
Artist line / attribution
The author of the unique Baroque mural paintings is possibly a Capuchin order painter, derived from Flemish and Dutch prints, commissioned by Countess Elisabeth Apollonia of Kolowrat.
Prague
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