This exhibition explores the Golden Age of Flemish painting, focusing on the Baroque master Peter Paul Rubens and his contemporaries. It showcases masterpieces from the Museum of Fine Arts' collection and significant loans, highlighting the artistic output and influence of Rubens, as well as the versatile Flemish painting of the 17th century.
The exhibition "Rubens, Van Dyck and the Splendour of Flemish Painting" delves into the rich artistic landscape of 17th-century Flanders, centered around the preeminent Baroque master Peter Paul Rubens. Based on the Museum of Fine Arts' extensive collection of Flemish paintings and graphic works, complemented by twenty remarkable masterpieces from LIECHTENSTEIN. The Princely Collections, Vaduz–Vienna, the show offers a comprehensive look at the era. A particular highlight is the joint display of Rubens' monumental Decius Mus cycle painting, "The Interpretation of the Victim," alongside the splendid tapestry woven from it, marking their first exhibition together.
The exhibition is meticulously structured into ten sections, guiding visitors through the prominent centers of 17th-century Southern Netherlands, the patronage of Albert and Isabella of Habsburg, and the significant influence of Italian art and antiquity on Rubens and Van Dyck. It explores biblical and mythological themes, private devotions, and large-scale altarpieces reflecting the Counter-Reformation. The show also illuminates the collaborative methods typical of Flemish painting, showcasing genres like still lifes, landscapes, and animal depictions, as well as the crucial genre of portraiture, featuring Van Dyck's significant contributions and his transformative influence on English portrait painting. The final section revisits genre paintings and works illustrating proverbs, tracing their roots back to Pieter Bruegel the Elder's moralizing narratives.