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Explore Aglaia Konrad's 'Autofictions in Stone' Exhibition: Art, Architecture, and Materiality at Secession

This presentation features diverse media examining stone's role in landscapes, personal history, and spatial perception.

Aglaia Konrad's 'Autofictions in Stone' invites visitors to delve into the artist's profound engagement with this fundamental material. The exhibition at Secession showcases films, photographs, and sculptures that illuminate how stone shapes our environments and narratives. Explore works that connect specific geographical contexts with personal histories and architectural forms.

About Aglaia Konrad: Autofictions in Stone at Secession in Vienna

Read curatorial context and practical visitor information for Aglaia Konrad: Autofictions in Stone at Secession in Vienna

Exhibition summary

This exhibition by Aglaia Konrad explores the omnipresence of stone in human life, from natural formations to architecture. Through films, photographs, and sculptures, Konrad examines the relationship between raw materials, personal history, and spatial perception.

Curatorial context

Aglaia Konrad's exhibition 'Autofictions in Stone' delves into the artist's lifelong fascination with stone, a material that has shaped her work from her upbringing in the Alps to her engagement with architecture. The exhibition utilizes films, photographs, and sculptures to explore the inherent qualities of stone and its role in constructing our environments and personal histories. Konrad's practice often begins with the specificities of the exhibition space, as seen in her reconfiguring of the Secession's galleries. She incorporates materials like granite, limestone, and marble, sourced from locations intertwined with her life, connecting specific cultural and geographical contexts with her personal narrative. The exhibition plays with scale, spatial perception, and the ephemeral nature of photographic interventions, treating images as spatial experiences. Works like 'Frauenzimmer / Antwerpen' utilize glass panes from a brutalist building, reflecting the surrounding space and viewers, creating a performative image generator that highlights our situatedness. Similarly, a mirrored wall with a photograph of an ancient stone seating group dialogues with the material's presence as image, material, and reflection. Konrad's interest in architectural demolition is evident in her 'Rückbaukristalle' (Demolition Crystals), polished remnants of demolished structures presented as sculptural objects. The exhibition also features films exploring monumental art and marble quarries, capturing the sculptural quality of these 'carved' landscapes and emphasizing the profound, ancient memory embedded in stone.

Admission and ticket notes

Information regarding ticketing for the exhibition can be found via the provided link to the Secession's shop or eventjet.at. Visitors are directed to official channels for booking details and admission information. General opening hours are Tuesday to Sunday, 10 AM to 6 PM.

Aglaia Konrad: Autofictions in Stone key exhibition facts

Review exhibition status, schedule, venue context, and attribution details for Aglaia Konrad: Autofictions in Stone at Secession in Vienna

Venue
Secession
Current status
Open now
Exhibition schedule
From Mar 8, 2025
Artist line / attribution
Aglaia Konrad, born in 1960 in Salzburg and based in Brussels, is an artist whose work in film, photography, and sculpture examines the material and conceptual presence of stone in our lives. The exhibition is curated by Jeanette Pacher.
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