Discover the Alfons Egger Exhibition at Secession: Drawings, Installations & Text Art

This exhibition at the Secession features drawings and a large-scale text installation by Alfons Egger, exploring themes of concrete poetry, dadaism, and the ambiguity of language. The show presents arrangements, dreamlike images, and fictional characters created with everyday fragments and biographical elements.

Alfons Egger's exhibition at the Secession's Grafisches Kabinett showcases his complex and media-dense work, which spans drawings, installations, and stage-related pieces. The artist draws from everyday fragments and his own biography, weaving them into a system that consistently challenges viewers. For this exhibition, Egger presents a site-specific text installation titled "MAMA hilf MIR," rendered in monochrome brown letters that rise from the walls, creating a sculptural presence in the space. This phrase, taken out of its original context and presented in oversized lettering, highlights the ambiguity of human language and Egger's personal exploration across different media. The work invites multiple interpretations, ranging from a colloquialism to a profound artistic statement with biographical undertones, and even a subtle reference to the Secession's historical use as a field hospital. Egger emphasizes that the text is not directly autobiographical but relates to universal human experiences, demonstrating how the transfer of words into an exhibition space opens up numerous meaning layers for the audience.

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