Anna Artaker's Exhibition at Secession: Exploring Historiography Through Visual Narratives and Death Masks
This in-depth exhibition features stereoscopic photography, revealing how historical images are created and interpreted.
Delve into Anna Artaker's significant exhibition at Secession, which meticulously investigates the production of images within the complex context of historiography. Visitors can explore how visual elements are strategically employed to shape and transmit historical narratives. The presentation includes captivating stereoscopic photographs of death masks created by Sergei Merkurov, offering a unique perspective on art, history, and media theory.
Read curatorial context and practical visitor information for Anna Artaker at Secession in Vienna
Exhibition summary
Anna Artaker's exhibition explores the production of images in the context of historiography, focusing on how visuals are used to construct and convey history. The exhibition features stereoscopic photographs of death masks taken by Sergei Merkurov.
Curatorial context
Anna Artaker's exhibition delves into the creation of visual imagery within the framework of historical narratives, investigating images that have become integral to specific historiographies. A central theme in her recent work has been the death masks of Sergei Merkurov (1881–1952), a "state artist" of the Soviet Union who created monumental hero portraits and took death masks of prominent figures. These include individuals like Lenin, Sergei Eisenstein, Maxim Gorki, and figures associated with repressive policies. The exhibition highlights the unique nature of these death masks, which originate from religious and cultic practices but were utilized within a modern historiographical project.
For her solo exhibition at the Secession, Artaker continues her exploration of Merkurov's death masks, previously documented in photo series and film versions. In this exhibition, she presents stereoscopic photographs of the masks displayed in custom-made display cases. The stereoscopic technique, an older photographic method, leverages the human eye's optical capabilities to create an illusion of three-dimensionality. This choice of technique emphasizes the media-theoretical implications of the masks and their reproduction, drawing parallels between death masks and photography as methods of preserving, duplicating, and examining objects. The exhibition can also be understood as an investigation into the auratic, a concept Walter Benjamin linked to the loss of aura in art through technical reproduction, suggesting that the aura is fundamentally a question of the medium itself.
Admission and ticket notes
Information and tickets for the exhibition can be found via the provided links, indicating that booking may be required or available through a third-party platform. General museum opening hours are also listed, suggesting standard admission policies may apply. Further details are directed to the ticketing page. The exhibition runs from April 30 to June 20, 2010.
Anna Artaker key exhibition facts
Review exhibition status, schedule, venue context, and attribution details for Anna Artaker at Secession in Vienna
Venue
Secession
Current status
Completed
Exhibition schedule
Apr 30, 2010 – Jun 20, 2010
Artist line / attribution
Anna Artaker, born 1976 in Vienna, lives and works in Vienna.
Vienna
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