Anne Hardy: Exploring Illusion and Spatial Realities at the Secession Photography Exhibition

This exhibition at the Secession features the work of British artist Anne Hardy, known for constructing detailed, life-sized stage sets from found objects and street finds, which are then photographed and dismantled. The show presents twelve photographs from the last five years, exploring themes of illusion, imagination, and the creation of spatial realities.

The exhibition at Secession showcases the photographic work of British artist Anne Hardy, who constructs intricate, large-scale installations from found objects and second-hand materials, only to dismantle them after photographing the results. This exhibition features twelve photographs from the past five years, including six new pieces, that delve into the concepts of illusion and imagination through which viewers connect with the world. Hardy's photographic works engage with questions of spatial representation and perception. Older pieces like "Cipher" (2007) utilize theatrical, enclosed spaces, while newer works such as "Rift" (2011) and "Rehearsal" (2010) employ mirrors to create complex spatial dynamics, emphasizing frontal views while revealing hidden parts of the environment. Further illusionistic depth is added through drawings and painted backdrops. In "Script" (2012) and "The Method / THE DETAILS" (2012), Hardy pushes the concept of illusion further by focusing on flat surfaces adorned with text and handwritten notes that invite interpretation. The artist describes her process as "very plastic and material," a struggle with materials that forms an "arena" captured by the camera. The exhibition spaces within the Secession's basement are noted as ideal for Hardy's work, enhancing the immersive quality of the fictional spaces presented. Hardy's practice also engages with systems of classification and informal architecture, drawing parallels to adaptable structures found in dense urban environments. Literature serves as a significant reference, with an accompanying artist's book featuring excerpts from authors like Haruki Murakami and J.G. Ballard, whose concept of entering a parallel, invisible world resonates with Hardy's fascination for hidden, adjacent realities.

Information and tickets for the exhibition can be found via the provided link, suggesting separate admission details or booking procedures may apply. Visitors are directed to a ticketing portal for further information. Opening hours are Tuesday to Sunday, 10 AM to 6 PM.