Vienna
Completed

Brian Jungen's Sculptural Art at Secession: Exploring Cultural Fusion and Critique

Discover groundbreaking works transforming everyday objects into powerful statements on indigenous and Western traditions.

Explore the thought-provoking sculptures of Brian Jungen at the Secession in Vienna. This exhibition delves into the artist's unique approach, transforming industrial products like Nike shoes and plastic chairs into art that challenges notions of cultural authenticity and consumerism. Gain insight into Dàne-Zaa heritage and contemporary art through a comprehensive overview of Jungen's pivotal works.

About Brian Jungen at Secession in Vienna

Read curatorial context and practical visitor information for Brian Jungen at Secession in Vienna

Exhibition summary

This exhibition showcases the sculptures of Brian Jungen, an artist of Dàne-Zaa heritage, whose work critically examines cultural fusion and the intersection of indigenous and Western traditions. The exhibition features works made from everyday industrial products, highlighting themes of consumerism, cultural appropriation, and aesthetic language as a tool for critique.

Curatorial context

The exhibition in the Secession presents a comprehensive overview of the works of Brian Jungen, an artist whose sculptures are pivotal in current discussions around ethnological and cultural-evolutionary perspectives. Jungen, who belongs to the Dàne-Zaa people of Canada, does not aim to revive a marginalized visual language but rather demonstrates culture as a fusion of diverse elements. This challenges notions of authenticity and the primacy of either indigenous or dominant Western traditions, emphasizing the role of aesthetic language in emancipatory cultural critique. Internationally recognized for his series "Prototype for New Understanding" (1998-2003), Jungen crafts masks by sewing together disassembled Nike Air Jordan basketball shoes, evoking ceremonial masks from Northwest Coast indigenous art with their color correspondences. His "Shapeshifter" (2000) and "Cetology" (2002) series, featuring whale skeletons constructed from mass-produced plastic chairs, similarly mimic museum natural history displays while engaging with indigenous mythology. These works, along with "Untitled" (2001) made from valuable cedarwood palettes, highlight the dual function of industrial products as commodities and aesthetic objects, prompting reflection on global capitalism's exploitation of resources and labor. The exhibition in Vienna marks Jungen's first major presentation in Europe and includes a newly constructed whale skeleton for the Secession.

Admission and ticket notes

Visitors can purchase tickets for the Secession through the provided link. General information and ticketing details are available on the museum's website, and the museum is open from Tuesday to Sunday, 10 AM to 6 PM.

Brian Jungen key exhibition facts

Review exhibition status, schedule, venue context, and attribution details for Brian Jungen at Secession in Vienna

Venue
Secession
Current status
Completed
Exhibition schedule
Sep 18, 2003 – Nov 16, 2003
Artist line / attribution
Featuring the work of Brian Jungen, born 1970, who lives and works in Vancouver.
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