Artist Carolina Caycedo initiated 'Day to Day' in Vienna from May 16 to June 3, 2002. This project created temporary, mobile markets via a delivery van and online platform, facilitating non-monetary bartering. The exhibition explored alternative economic systems and 'Temporary Autonomous Zones' (TAZ), fostering discussions on informal economies. It engaged the public through direct negotiation of goods and services.
Read curatorial context and practical visitor information for Carolina Caycedo: Day to Day at Secession in Vienna
From May 16 to June 3, 2002, artist Carolina Caycedo organized temporary, mobile markets in Vienna using a delivery van and an online platform. This exhibition explored non-monetary exchange systems and the concept of 'Temporary Autonomous Zones' through direct negotiation of goods and services.
During May 16 to June 3, 2002, Carolina Caycedo embarked on a project using a delivery van to travel through Vienna, establishing temporary, mobile 'markets.' This initiative, a continuation of her previous projects, aimed to organize daily life through non-monetary bartering. The Secession's homepage featured a dedicated platform for these exchanges and discussions on alternative economic forms. Caycedo offered various goods and services, including a temporary hair and beauty salon, engaging passersby in negotiations for exchanges. The project 'Day to Day' draws inspiration from Hakim Bey's concept of 'Temporary Autonomous Zones (TAZ),' conceptualizing 'Utopian Realities' that exist outside the control of politics, religion, and dominant economic mechanisms. Echoing her 1998 founding of the 'Street Museum' in Bogota, a collection of exchange objects, 'Day to Day' also functions as a mobile companion and a stage for communication about informal economies.
Information regarding tickets for the Secession can be found via the provided link. Visitors are directed to an external booking platform for purchases. General opening hours are Tuesday to Sunday, 10 AM to 6 PM. No specific ticketing information for this exhibition is detailed beyond general museum access and the project's participatory nature being free to engage with via negotiation or online forms, provided museum entry is secured separately through the linked ticketing service.
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