Vienna
Completed

Experience Cinthia Marcelle's Thought-Provoking 'Dust Never Sleeps' Exhibition

Marcelle transformed the Secession's Graphic Cabinet using black soot to explore decay and poetic transformations.

Step into Cinthia Marcelle's compelling installation, 'Dust Never Sleeps,' where the Secession's Graphic Cabinet became a canvas of black soot. This profound work delves into themes of decay and the transformation of ordinary actions into poetic events. Marcelle’s art frequently allegorizes history as a process of perpetual decay, referencing concepts from Walter Benjamin, inviting contemplation on time and materiality.

About Cinthia Marcelle: Dust Never Sleeps at Secession in Vienna

Read curatorial context and practical visitor information for Cinthia Marcelle: Dust Never Sleeps at Secession in Vienna

Exhibition summary

This exhibition by Cinthia Marcelle transformed the Graphic Cabinet of the Secession into a space covered in black soot, with lighter contours emerging from the density of the material. It explores themes of decay and the poetic transformation of everyday actions, referencing Walter Benjamin's concept of history as an unstoppable process of decay.

Curatorial context

Cinthia Marcelle, known for staging situations and performative actions in public spaces to transform everyday acts into poetic events, uses video and photography as documentation tools. She frequently addresses ruins as an allegory for history beyond conventional notions of beauty, drawing parallels to Walter Benjamin's concept of history as a process of perpetual decay. In her installation 'Dust Never Sleeps' (2014), Marcelle covered the floor, walls, ceiling, windows, and doors of the Secession's Graphic Cabinet with black soot, creating a space that evoked a sense of abandonment. Denser accumulations of material formed a spatial drawing akin to a photographic negative, with only a narrow, lighter-colored strip accessible to visitors. This deliberate spatial confinement and the ephemeral nature of the dust installation generated palpable tension, emphasizing a separation between an 'outside' and an 'inside' within the exhibition space. The artist's approach to decay is further exemplified in her installation 'À margem dos dias' in São Paulo, which opened around the same time. In this work, Marcelle adopted an inverse strategy: instead of adding material, she removed two decades of accumulated deposits along the walls of a disused hospital, creating a clean strip for visitors. In contrast, visitors were permitted to enter only the dusty central area of the space, highlighting the materialization of time through layers of dust and dirt as a core thematic element.

Admission and ticket notes

Information regarding tickets can be found via a provided link to an external ticketing platform, suggesting that admission may require purchase or booking. Specific details about exhibition entry versus general museum admission are not explicitly stated on this page. The page also indicates that the venue is open daily except Mondays, from 10 AM to 6 PM, which is general opening hours information for the Secession building rather than specific exhibition ticketing details.

Cinthia Marcelle: Dust Never Sleeps key exhibition facts

Review exhibition status, schedule, venue context, and attribution details for Cinthia Marcelle: Dust Never Sleeps at Secession in Vienna

Venue
Secession
Current status
Completed
Exhibition schedule
Sep 11, 2014 – Nov 2, 2014
Artist line / attribution
Cinthia Marcelle (born 1974 in Belo Horizonte, Brazil) lives and works in São Paulo. Her work often explores the poetic transformation of everyday actions and the allegorical representation of history through decay.
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