This exhibition showcases recent works by Ed Ruscha, offering a revisionist look at his oeuvre. It highlights his unique artistic vocabulary, which often uses language and text, exploring themes of American identity, culture, and the passage of time through conceptual photography, painting, and artist books.
Ed Ruscha's 'Double Americanisms' exhibition at the Secession presents a significant body of recent works, reflecting his more than 60-year career exploring the American West, Los Angeles, and the interplay of language and image. The exhibition features 57 works, including conceptual digital prints, painted word images, and artist books, with a particular focus on his engagement with language as a central element in his art.
A new cycle of works painted on parchment drumheads, featuring phrases with double negatives inspired by his youth, demonstrates Ruscha's playful yet profound use of vernacular language. The exhibition also revisits iconic motifs such as film and Hollywood, symbolized by a paravent featuring mirrored representations of the American flag, hinting at themes of self-reflection and duality. A series of six large-scale digital reproductions of paintings depicting the American flag in various states of degradation offers a stark commentary on the current state of the USA and the ephemeral nature of history, echoing his earlier work 'Course of Empire.' The exhibition invites viewers to engage with these layered meanings, recognizing Ruscha's consistent artistic vision and his ability to provoke thought through subtle yet powerful visual and textual cues.