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Discover 'Fate of Alien Modes': An Exhibition Exploring Cinematic and Artistic Production at Secession

This group show examines how film and art intersect through their unique representation and production economies.

The 'Fate of Alien Modes' exhibition at Secession delves into the complex relationship between artistic and cinematic models. It highlights the distinct ways film and art produce and represent concepts, inviting a closer look at the cinematic apparatus as an economy of diverse creative forms. Explore how this curatorial concept illuminates structures within contemporary culture.

About Fate of Alien Modes at Secession in Vienna

Read curatorial context and practical visitor information for Fate of Alien Modes at Secession in Vienna

Exhibition summary

This group exhibition explores the intersection of artistic and cinematic models and discourses, examining the production and representation forms inherent in film and art. It positions the cinematic apparatus as an economy where diverse production modes unfold, offering a new perspective on art production.

Curatorial context

The exhibition _Fate of Alien Modes_ maps a terrain emerging at the nexus of artistic and cinematic models and discourses. It foregrounds the distinct production and representation forms of both cinema and art, aiming to render their inherent mechanisms visible. The curatorial concept frames the cinematic apparatus as an economy fostering various production modes, thereby shifting the focus from an exhibition 'about cinema' to its economies. This approach illuminates the structures, interrelations, and themes active between cinema and other forms of contemporary culture, developed within the framework of art institutions and reflecting contemporary artistic and curatorial practices. _Fate of Alien Modes_ spatializes cinematic discourses to reveal them as a series of active scripts, moving away from the concept of a closed, monadical work. By highlighting diverse production forms, it challenges the notion of the Secession's exhibition space as a mere 'container' for art. Instead, the institutional architecture is presented as a fragile construction and a 'spatial narrative,' embodying a diegetic world translated by the works and productions. This materializes and liberates the economies of cinema within a three-dimensional interplay of projections, sound works, scripts, and indexical archives. The exhibition coordinates describe a space encompassing script-based formats, temporary (set) architecture, films and videos, sound works, and open, performative processes, including film shoots, to expose the alien modes of the cinematic apparatus as a collage of disparate work forms and practices.

Admission and ticket notes

Information regarding tickets can be found on the Secession website, with a link provided to the booking platform 'eventjet'. Further details about admission and visiting the Secession are available under 'Informationen & Tickets'. The exhibition dates are from May 10 to June 22, 2003, and the Secession is open Tuesday to Sunday, 10 AM to 6 PM, with the exception of specific opening hours on certain days not detailed here beyond a general 'open today' note.

Fate of Alien Modes key exhibition facts

Review exhibition status, schedule, venue context, and attribution details for Fate of Alien Modes at Secession in Vienna

Venue
Secession
Current status
Open now
Exhibition schedule
From May 10, 2003
Artist line / attribution
Chantal Akerman, Judith Barry, Thomas Bayrle, Noël Burch, Shirley Clarke, Ingemo Engström, Harun Farocki, Morgan Fisher, Penelope Georgiou, Jack Goldstein, Angela Hareiter, Derek Jarman, Isaac Julien, Rainer Kirberg, Malcolm LeGrice, Mark Lewis, Babette Mangolte, Mark Nash, Nagisa Oshima, Ulrike Ottinger, Karl Sierek, Jean-Marie Straub / Danièle Huillet, Elisabeth Subrin, Michael Snow, Nomeda & Gediminas Urbonas, Oscar Zarate. Curated by Constanze Ruhm.
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