Fiona Rukschcio's Transformative Retaped Rape Film Exhibition and Media Analysis

This exhibition presents Fiona Rukschcio's 2012 film 'retaped Rape,' alongside photographs, photo collages, and seating furniture. The work is a homage to and analysis of Yoko Ono and John Lennon's 1969 film 'Rape,' re-filming original scenes without protagonists to examine camera mechanics and the gaze.

The exhibition 'retaped Rape' by Fiona Rukschcio centers on her 2012 film of the same name, which serves as both an homage to and an analytical continuation of Yoko Ono and John Lennon's 1969 conceptual film 'Rape.' Rukschcio meticulously re-filmed the original scenes at their actual locations in London, but crucially, without any protagonists. This approach shifts the focus from the original narrative of pursuit and violation to an examination of the camera's own mechanisms, its authority, and its function as a tool of observation and power. The exhibition also features supporting works including photographs documenting the filmmaking process, photo collages, and seating furniture. The project delves into themes of female role assignments, identity construction, and emotional boundaries, drawing parallels to feminist film theory, particularly Laura Mulvey's concepts of the male gaze. Rukschcio's re-staging critically dissects the ideology of the original film, highlighting how the camera itself becomes the subject and its relationship with the filmmaker and audience, thereby questioning historical memory and the inscription of events onto places.

Tickets for the Secession are available via the provided link, directing visitors to an external booking platform. Information on museum opening hours is also available, indicating that entry may be linked to general museum admission, though specific exhibition ticketing details are not elaborated on the page beyond the general booking direction.