Hannes Zebedin's Thought-Provoking Exhibition at Secession Explores Societal Norms and Architectural Space
His installation, 'Mit Schwung durchqueren anstatt sich aufzuhalten,' questioned regulation and individual articulation in transformed spaces.
Hannes Zebedin's exhibition at Secession transformed its stairwell and graphic cabinet, exploring concepts of regulation and societal norms. This contemporary art installation juxtaposed the 'White Cube' ideal with imagined vandalism, prompting a critical look at accepted boundaries. Zebedin's work engaged with individual articulation and civil society dynamics through distinct spatial interventions.
About Hannes Zebedin: Mit Schwung durchqueren anstatt sich aufzuhalten at Secession in Vienna
Read curatorial context and practical visitor information for Hannes Zebedin: Mit Schwung durchqueren anstatt sich aufzuhalten at Secession in Vienna
Exhibition summary
This exhibition by Hannes Zebedin transforms the Secession's stairwell and graphic cabinet into distinct spaces exploring concepts of regulation, restriction, and societal norms. It juxtaposes the ideal of the 'White Cube' with a scenario of imagined vandalism, questioning the boundaries of accepted norms and individual articulation.
Curatorial context
Hannes Zebedin's exhibition 'Mit Schwung durchqueren anstatt sich aufzuhalten' (Moving through with momentum instead of stopping) radically transforms two spaces within the Secession. The stairwell leading to the Graphic Cabinet is reconfigured into a minimalist, brightly lit 'White Cube,' referencing the ideal modern exhibition space. However, the stairwell itself is rendered inaccessible, a functional alteration that Zebedin uses to introduce a discourse on regulation, restriction, and societal power dynamics.
In contrast, the Graphic Cabinet, also inaccessible, is presented as the site of a purportedly vandalistic act. The space is imagined with scattered glass shards and paving stones on the floor, and open to street noise and weather. This depiction of destruction, though only visible from the street or imaginable through the catalog, serves to investigate the aesthetic potential of politically charged actions. The exhibition thus presents a dichotomy: the establishment of an 'ideal' situation in one space versus the destruction of an ideal situation in another, prompting questions about societal consensus, accepted norms, and transgression. Zebedin's work here aligns with his broader artistic position, which seeks clear political or artistic stances in opposition to postmodern relativism, exploring individual articulation within civil society.
Admission and ticket notes
Admission information and ticketing are available via a link to the Secession's shop. The exhibition dates suggest a past event, and current visitor information would be on the museum's main ticketing page or relevant current exhibition details.
Hannes Zebedin: Mit Schwung durchqueren anstatt sich aufzuhalten key exhibition facts
Review exhibition status, schedule, venue context, and attribution details for Hannes Zebedin: Mit Schwung durchqueren anstatt sich aufzuhalten at Secession in Vienna
Venue
Secession
Current status
Completed
Exhibition schedule
Mar 20, 2009 – Apr 13, 2009
Artist line / attribution
Hannes Zebedin, born in Lienz in 1976, lives and works in Vienna. The exhibition was curated by Jeanette Pacher.
Vienna
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