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Henrik Olesen: An Exhibition Exploring Gender Politics and Social Conventions in Art

Olesen's work critically examines the stigmatization of homosexuality through artistic manipulation and contextual shifts.

Step into the thought-provoking world of Henrik Olesen, whose exhibition at the Secession challenges everyday conventions. His practice engages with historical and contemporary materials, revealing the complex interplay of gender politics and societal norms. Through unique appropriation and manipulation, Olesen confronts the marginalization and criminalization of homosexuality. This collection invites viewers to critically reflect on power structures and cultural representation.

About Henrik Olesen at Secession in Vienna

Read curatorial context and practical visitor information for Henrik Olesen at Secession in Vienna

Exhibition summary

This exhibition features the work of Henrik Olesen, who examines everyday conventions and their effects on gender politics. The exhibition draws from various materials to explore the stigmatization and criminalization of homosexuality through appropriation, manipulation, and contextual shifts.

Curatorial context

In his practice, Henrik Olesen questions everyday conventions and their gender-political effects, drawing on both current and historical materials. These include visual and textual representations from architecture, industrial history, penal systems, law, capital distribution, natural sciences, and art history. Through appropriation, manipulation, and contextual shifts, Olesen addresses the stigmatization, criminalization, and marginalization of homosexuality. A significant element is the politicization and appropriation of history and its representations, often through minimalist interventions in exhibition architecture and public space, or through extensive internet research. Using collage techniques and sculptural methods, his works open up hegemonic iconographies that often exclude homosexual bodies. At the Secession, Olesen presents a selection of works that articulate production as an aesthetic and meaning-generating, yet adaptable process that normatively controls our actions. He integrates gay bodies into spaces and interiors from the turn of the 20th century, highlighting the societal repression of homosexuality and the simultaneous invocation of heterosexual family concepts as structures preserving society. The display case in the passage to the Graphic Cabinet gathers photographs and depictions of the Secession from the early 20th century, augmented with scenes of arrests or naked male bodies undergoing medical examinations. This display case, itself a postmodern quote, functions both as a display for homosexual desire and as a symbol of a history of selection and censorship, with references to Austrian penal code sections concerning the "unnatural sexual acts" with individuals under 18.

Admission and ticket notes

Information and tickets for exhibitions can be found via the provided link. The Secession is open Tuesday to Sunday from 10 AM to 6 PM. Specific ticketing details for this exhibition are not explicitly detailed beyond general access information to the venue and its shows.

Henrik Olesen key exhibition facts

Review exhibition status, schedule, venue context, and attribution details for Henrik Olesen at Secession in Vienna

Venue
Secession
Current status
Open now
Exhibition schedule
From Feb 19, 2004
Artist line / attribution
Henrik Olesen, born in 1967 in Esbjerg, lives and works in Berlin.
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