Karimah Ashadu's "Plateau": A Film Installation Exploring West African Mining Labor and Independence
This powerful film installation delves into the resilience and socio-economic conditions of West African mine workers.
Karimah Ashadu's exhibition "Plateau" features a compelling film installation exploring the challenging lives and labor of unregistered tin and columbite miners in Central Nigeria. Through an observational cinematic approach, the work illuminates themes of self-reliance, independence, and environmental impact on the Jos Plateau. Discover powerful testimonies and reflections on West African socio-economic contexts.
About Karimah Ashadu: Plateau at Secession in Vienna
Read curatorial context and practical visitor information for Karimah Ashadu: Plateau at Secession in Vienna
Exhibition summary
Karimah Ashadu's film installation 'Plateau' explores the lives and labor of unregistered workers mining tin and columbite on the Jos Plateau in Nigeria. The exhibition highlights the beauty in the everyday, the self-reliance of the people, and their pursuit of independence amidst challenging socio-economic conditions and environmental exploitation.
Curatorial context
The exhibition 'Plateau' by Karimah Ashadu presents a new film installation that investigates the living and working conditions within the socio-economic context of West Africa. The work focuses on unregistered workers who mine for tin and columbite on the Jos Plateau in Central Nigeria, a region with a long history of mining that dramatically shifted after the market collapse in 1985. Ashadu's film captures the resilience and self-reliance of these workers, who despite dangerous conditions and past exploitation, engage in arduous labor driven by the promise of profit and a bid for personal independence.
The film features testimonies from workers, villagers, and landowners, offering diverse perspectives on the history of tin mining, the exploitation of the land, and the associated risks and rewards. Ashadu's distinctive cinematic approach emphasizes an observational stance, exploring the space between the camera, the subject, and the body, while also capturing the vibrant colors of the landscape. The cactus motif is employed as a metaphor for resilience and the cultural significance of the land. The installation in the Secession expands on these themes with a two-channel presentation, interspersed with close-ups of hands and feet in the earth, confronting viewers with alternative perspectives. Complementing the film are sculptures crafted from clay, fabric scraps, and glass, with engraved terms reflecting the workers' precarious balance between high stakes, profit, and loss, and the historical use of glass as a colonial control mechanism.
Admission and ticket notes
Visitors can find ticketing information and purchase tickets through the provided link to Eventjet, which also serves as the shop for the Secession. General museum opening hours are Tuesday to Sunday, 10 AM to 6 PM.
Karimah Ashadu: Plateau key exhibition facts
Review exhibition status, schedule, venue context, and attribution details for Karimah Ashadu: Plateau at Secession in Vienna
Venue
Secession
Current status
Completed
Exhibition schedule
Jul 2, 2021 – Sep 5, 2021
Artist line / attribution
Featuring Karimah Ashadu, a filmmaker and artist born in 1985 in London, who lives and works in Hamburg and Lagos.
Vienna
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