Vienna
Completed

Klaus Mosettig: Pradolux Exhibition – Exploring Abstract Drawings and Artistic Representation

Discover Mosettig's conceptual play with found documentary images, meticulous detail, and reinterpretations of art history.

The Klaus Mosettig: Pradolux exhibition delves into the artist's unique exploration of drawing as a medium for artistic transformation. Mosettig presents recent works that meticulously reinterpret found images and iconic artworks, challenging perceptions of authenticity and representation. His pieces, including the 'Apollo 11' series and a reinterpretation of Pollock, explore abstract qualities within documentary and art historical contexts. This collection reveals a consistent artistic approach, unifying diverse subjects through detailed depiction and conceptual depth.

About Klaus Mosettig: Pradolux at Secession in Vienna

Read curatorial context and practical visitor information for Klaus Mosettig: Pradolux at Secession in Vienna

Exhibition summary

The exhibition 'Pradolux' by Klaus Mosettig showcases a selection of recent drawings. Mosettig explores the abstract character of documentary images and the artistic process of representation through meticulous detail and conceptual play, referencing found photographs and iconic artworks.

Curatorial context

Klaus Mosettig, a Vienna-based artist, presents 'Pradolux' at the Secession, featuring a collection of recent drawings. Mosettig's work is characterized by groups of pieces that, while differing in subject and appearance, are unified by a consistent artistic approach. The series 'Apollo 11' draws from found slides of the moon landing, focusing on the abstract nature of the images and the act of meticulous projection onto paper rather than the historical event itself. This highlights projection as a tool in contemporary image production and the gesture of artistic depiction within the traditional medium of drawing, composed of uniformly oriented and dense hatching. Further exploring artistic transformation, Mosettig reinterprets Jackson Pollock's 'Number 32' through meticulous drawing based on a slide projection. This process renders Pollock's dripped paint into a 'nervous, trembling web.' The work ironizes established art-viewing categories like the authenticity of painterly gesture and the artist's visionary status. The horizontal presentation of Mosettig's work challenges the conventional hanging of drip paintings. Additionally, Mosettig's repeated drawing of a Pollock ink work fifteen times creates a paradoxical unity between the idea of the unique original and market-driven duplication. The exhibition title 'Pradolux' derives from a third body of work where Mosettig focuses on minute markings on projector lens, resembling a star map, which are actually lens impurities brought into sharp focus. This consistent aspect of Mosettig's art emphasizes how meticulous depiction of random structures does not necessarily yield subject-specific insight but rather challenges established boundaries and destabilizes orientations.

Admission and ticket notes

General information and ticket purchasing are available via the provided links, indicating that admission requires tickets, but specific pricing or booking details for this exhibition are not detailed on this page beyond the general direction to the ticketing portal. The museum is open Tuesday-Sunday, 10 AM - 6 PM.

Klaus Mosettig: Pradolux key exhibition facts

Review exhibition status, schedule, venue context, and attribution details for Klaus Mosettig: Pradolux at Secession in Vienna

Venue
Secession
Current status
Completed
Exhibition schedule
Feb 20, 2009 – Apr 13, 2009
Artist line / attribution
The exhibition features works by Klaus Mosettig, born in 1975 in Graz and based in Vienna.
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