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Mimi Ọnụọha's Thought-Provoking 'Soft Zeros' Exhibition at Secession

Investigate how algorithmic bias and historical erasure shape knowledge and memory in this compelling contemporary art exhibition.

Mimi Ọnụọha's 'Soft Zeros' exhibition at Secession invites visitors to critically examine the unreliability of historical archives and the profound instability of knowledge in the digital age. This contemporary art presentation explores how invisible data systems, algorithmic bias, and societal forgetting influence our perception of what is present or absent. Delve into the complex interplay of power and invisibility within these systems through thought-provoking installations.

About Mimi Ọnụọha: Soft Zeros at Secession in Vienna

Read curatorial context and practical visitor information for Mimi Ọnụọha: Soft Zeros at Secession in Vienna

Exhibition summary

Mimi Ọnụọha's exhibition 'Soft Zeros' investigates the unreliability of archives and the instability of knowledge in an age of hypervisibility. It explores how algorithms, historical erasure, and collective forgetting shape what is perceived as absent or insignificant.

Curatorial context

In 'Soft Zeros,' Mimi Ọnụọha delves into the unreliability of archives and the instability of knowledge, particularly how algorithmic bias, historical repression, and collective forgetting render certain aspects of reality invisible or insignificant. The exhibition challenges the notion that a lack of data equates to an absence of existence, using the concept of a 'soft zero' as a metaphor for power and invisibility within data systems. The exhibition's centerpiece is the docufictional film 'Ground Truths' (2025), which chronicles the artist's attempt to train a machine learning model to identify potential mass graves in Texas. This experiment evolves into a profound reflection on the limits of collective memory, prompting questions about what we document, recall, and deliberately overlook. The work specifically addresses the 'Sugar Land 95,' the remains of 95 Black individuals discovered during construction in Sugar Land, Texas, whose existence was largely unrecorded due to the Convict-Leasing System. Ọnụọha uses this case to illuminate the continuity between slavery and the contemporary prison industrial complex, highlighting how institutional systems can produce erasure and how buried histories can resurface. Other works in the exhibition, such as 'everything you bury will come back up again' and 'we don’t talk about that,' further explore themes of digging, uncovering, and the deliberate avoidance of uncomfortable truths. Through her research-based practice, Ọnụọha prompts viewers to consider what forms of knowledge are withheld in an era of disinformation and what role we play in this collective forgetting, asserting that 'working through the present means learning to read what is seemingly not there.'

Admission and ticket notes

Information regarding tickets can be found on the Secession website, and booking is available through the provided link to Eventjet. Specific pricing or booking requirements are not detailed on this page, directing visitors to the official ticketing portal for further details. Visitors should refer to the website for current admission information and any associated booking procedures for the exhibition. General opening hours for today are listed as open, with Di-So / 10 AM - 6 PM being the standard exhibition hours. However, for the most accurate and up-to-date ticketing information, it is recommended to consult the linked ticketing platform directly. The exhibition dates are from November 29, 2025, to February 22, 2026.

Mimi Ọnụọha: Soft Zeros key exhibition facts

Review exhibition status, schedule, venue context, and attribution details for Mimi Ọnụọha: Soft Zeros at Secession in Vienna

Venue
Secession
Current status
Open now
Exhibition schedule
From Nov 29, 2025
Artist line / attribution
Mimi Ọnụọha, born in Italy in 1989, lives and works in New York. The exhibition is programmed by the Secession's Board and curated by Jeanette Pacher.
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