Regina Möller's "embodiment – dress plot": Art, Fashion, and Identity Exhibition at Secession
Explore identity transformation and the female persona through Regina Möller's wearable art installations at Secession.
Regina Möller's "embodiment – dress plot" at the Secession reflects on how art, fashion, and comic culture intersect to shape identity. This installation presents a new collection of wearable art that challenges societal parameters and explores the construction of the female persona. Discover how Möller merges set design and audio play to craft a complex narrative of transformation.
About Regina Möller: embodiment – dress plot at Secession in Vienna
Read curatorial context and practical visitor information for Regina Möller: embodiment – dress plot at Secession in Vienna
Exhibition summary
This exhibition by Regina Möller explores the intersection of art, fashion, and comics, focusing on the duality of identity through costume and narrative. It presents a new collection of wearable art installations inspired by the comic character Poison Ivy, examining themes of transformation and the construction of the female persona.
Curatorial context
Regina Möller's exhibition 'embodiment – dress plot' positions itself at the crossroads of art, fashion, and comic culture, reflecting on contemporary communication formats and their roles in shaping identity, economy, and function. Möller, known for her magazine 'regina' and her fashion label 'embodiment', creates clothing, wallpapers, and furniture that re-contextualize everyday objects and question societal parameters beyond fleeting trends.
For this exhibition at the Secession, Möller developed a new collection and staged it as an installation, merging clothing, set design, and audio play to craft a complex narrative. Drawing thematic inspiration from the comic character Poison Ivy, whose dual nature as an environmental protector and a formidable antagonist reflects multifaceted representations of the feminine, Möller presents two fictional female characters embodying a single person. These characters are defined by their environment, voices, and clothing, with costumes designed as a second skin that plays a crucial role in the dramatic self-discovery process. Möller counteracts idealized femininity by grounding the work in her personal connection, using her own body as a reference for the costumes, and her stylized portrait appears in prints on costume designs and as a large-scale wall drawing. The installation borrows from fashion presentation, theater stages, and museum displays, creating a dynamic scenario that juxtaposes individuality with type, and fiction with reality.
Admission and ticket notes
The exhibition is listed under Secession's general ticketing information. Visitors are directed to the eventjet.at shop for tickets, indicating a separate admission fee may apply for exhibitions or that general museum entry is required to access the exhibition space. Specific details about pricing or booking procedures for this exhibition are not provided on this page, beyond the general direction to the ticketing portal.
Regina Möller: embodiment – dress plot key exhibition facts
Review exhibition status, schedule, venue context, and attribution details for Regina Möller: embodiment – dress plot at Secession in Vienna
Venue
Secession
Current status
Completed
Exhibition schedule
Sep 17, 2004 – Nov 11, 2004
Artist line / attribution
Regina Möller, whose work spans art, fashion, and comics, developed the installation 'embodiment – dress plot' for the Secession.
Vienna
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