Rossella Biscotti Exhibition: Exploring Memory, Identity, and Social Commentary Through Art

This exhibition showcases works by Rossella Biscotti, whose projects often draw from recent history, politics, and social sciences, with a focus on memory and dreams. Her art transforms fragments of personal stories into reflections on identity and the representation of memory, using 'poor' materials like concrete and iron.

Rossella Biscotti's exhibition delves into themes of memory, dreams, and identity, often using recent historical and political events as starting points for her projects. Her artistic practice is characterized by meticulous research and a dialogue with social and natural sciences, particularly concerning memory and dreams. Triggered by snippets from magazines or newspapers, she identifies fragments of personal stories that she then transforms into reflections on identity, reality, and the representation of memory within exhibition contexts. Biscotti's approach involves research, interviews, and dialogues with those involved. She combines this with a search for formal solutions, often utilizing 'poor' materials such as concrete, iron, lead, chipboard, or compost, which she links to the exhibition's themes to connect various narrative threads. Her work "The Trial" (2010-2012), a multimedia installation, uses concrete casts of courtroom structures and audio collages from original trial recordings to explore a 1979 political trial in Rome. For the Venice Biennale, she developed "I dreamt that you changed into a cat… gatto… ha ha ha," which involved a dream workshop with female inmates and the incorporation of compost made from their food waste, symbolizing their lives and experiences. In "The Side Room" at Secession, Biscotti presents an audio collage from her "Laboratorio Onirico," featuring the dreams of the women from the Venetian prison. Portraits of the speakers, created by Roberta Baseggio, are displayed, alongside workshop seating arrangements and iron furniture designed by Biscotti, which act as a counterpoint to the immateriality of the audio installation. This part of the exhibition explores the interplay between the institutional and the individual, the group and the person, and the creation and maintenance of shared moments. Additionally, Biscotti engaged with the Secession's architecture and history, focusing on renovations and color concepts, and conducted a dream project with the Secession's board members, contrasting the extreme institutional setting of a prison with that of an art exhibition house to explore the relationship between dreams and institutional frameworks.

Information and tickets for exhibitions can be found via the provided link. The Secession is open Tuesday to Sunday, 10 AM to 6 PM. Specific ticketing details for this exhibition are not detailed beyond a general link to purchase tickets for the venue's programming, suggesting it might be part of general admission or require booking through their system.