Discover Terence Koh: Gone, yet still – An Immersive Installation at Secession
Explore profound themes of youth, sleep, and mortality through striking white environments and evocative vitrine art.
Terence Koh's thought-provoking exhibition, 'Gone, yet still,' invites visitors to experience a unique exploration of existential themes. Set within the Secession's Graphic Cabinet, the installation uses a stark white aesthetic and over a hundred glass vitrines filled with symbolic objects. This work contemplates human desire, queer spaces, and the powerful contemplation of death, creating a deeply introspective environment for reflection.
About Terence Koh: Gone, yet still at Secession in Vienna
Read curatorial context and practical visitor information for Terence Koh: Gone, yet still at Secession in Vienna
Exhibition summary
Terence Koh's exhibition 'Gone, yet still' explores themes of youth, sleep, and death, creating an immersive installation in the Secession's Graphic Cabinet. The exhibition uses stark white environments and over 125 glass vitrines filled with personal objects to reflect on desire, queer spaces, and the contemplation of mortality.
Curatorial context
Terence Koh's exhibition in the Secession, titled 'Gone, yet still', delves into the complex themes of youth, sleep, and death, aiming to create an environment where the artist could potentially spend the rest of his life.
The exhibition's title, a shortened form of a Japanese farewell poem ('Jisei'), sets a tone of introspection and passage. The installation, primarily in the Graphic Cabinet, is rendered entirely in white, transforming the space into a passage toward silence, emptiness, and retreat. Koh combines existential furnishings like a bed and a shelf with over 125 aquarium-sized glass vitrines. These are filled with a variety of objects, described as 'devotionalia,' including animal figures, dolls, marble busts, figurines, and statues, some containing water or traces of rituals.
The work is permeated with symbols and an atmosphere of queer sexuality, presenting young bodies, faces, and intimate details. Koh seeks to create queer spaces where sexuality is depicted as a fundamental aspect of being, free from moralistic or restrictive constraints, serving as a temptation to forget existential unease and fragmentation.
Koh illustrates the dichotomy of human existence: the intense desire to experience the world versus profound loneliness. The exhibition confronts death as an abstract concept, imagined as either relief or threat within the solitary confinement of a room, with the glass cases resembling sarcophagi. This seemingly harmonious scene is disrupted by scattered and damaged vitrines, introducing an element of violence and unpredictability that reminds viewers of the unforeseen events preceding death.
Admission and ticket notes
The page provides a link to purchase tickets via eventjet.at, suggesting that admission may require a ticket. Specific pricing or entry policies are not detailed on this page, but visitors are directed to the ticketing portal for further information. The page also mentions 'Information & Tickets' in the navigation menu, implying a dedicated section for visitor services and admission details.
Terence Koh: Gone, yet still key exhibition facts
Review exhibition status, schedule, venue context, and attribution details for Terence Koh: Gone, yet still at Secession in Vienna
Venue
Secession
Current status
Completed
Exhibition schedule
Jul 7, 2005 – Sep 4, 2005
Artist line / attribution
Terence Koh (born 1977) lives and works in New York, Vancouver, and Indonesia.
Vienna
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