The acclaimed exhibition 'The Death of the Audience' at Vienna's historic Secession building investigated the dynamic interplay between creators and observers. It provided a critical look at the transformative period of modern art between 1960 and 1980. Drawing parallels with earlier avant-garde movements, the exhibition explored themes of audience emancipation versus alienation in contemporary artistic practice. Visitors discovered works by numerous artists examining the shifting roles of art engagement.
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This group exhibition, held at the historic Secession building, examines the pivotal period of 1960-1980 and its parallels to earlier avant-garde movements. It questions the shifting roles of artists and audiences, exploring themes of emancipation versus alienation in contemporary art.
Held at Vienna's Secession, a site historically significant for modern art, 'The Death of the Audience' delves into the transformative period between 1960 and 1980. The exhibition contrasts this era with earlier avant-garde movements, particularly around 1900, drawing parallels between the industrial revolution and the society of the spectacle. It interrogates the changing role of the artist and the audience, referencing Roland Barthes' 'The Death of the Author' to posit a 'death of the viewer' as a logical consequence of artistic evolution since 1968. The exhibition explores whether this shift leads to audience emancipation through interactive dynamics or to alienation and interpassivity, highlighting artists who discovered art as a critical, concrete, and everyday practice, resisting fixed roles. In parallel to the main exhibition, external projects by artists in various locations are referenced, including contributions from Rasheed Araeen in London, Carlo Quartucci and Carla Tato in Rome, Anna Halprin in California, Grzegorz Kowalski in Warsaw, Edward Krasiński's Studio in Warsaw, John Latham's Flat Time House in London, and The Július Koller Society in Bratislava. The exhibition aims to demonstrate the radical change that occurred between the modern art period and the postmodern revolutionary period, focusing on the transition from an artist-centric art world to one concerned with the spectator's experience and participation.
Visitors can access ticketing information via the provided link to the Secession's online shop. General museum opening hours are Tuesday to Sunday, 10 AM to 6 PM. Specific ticketing policies beyond directing to the online shop are not detailed on this page.
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