Thomas Hirschhorn's significant 2008 exhibition, 'Das Auge' (The Eye), at the Secession explored deep themes of perception and resistance to historical narratives. The artist deliberately used only the color red throughout the installation, presenting it as a powerful symbol of suffering, protest, and connection. This approach aimed to foster a unique dialogue, emphasizing pure visual engagement over intellectual understanding, inviting viewers to confront universal truths through seeing.
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Thomas Hirschhorn's 2008 exhibition 'Das Auge' (The Eye) at the Secession explored perception and resistance to historical facts. The work focused solely on the color red, symbolizing various forms of suffering and protest, aiming to create a dialogue through pure seeing rather than understanding.
Thomas Hirschhorn's exhibition 'Das Auge' (The Eye), held at the Secession in 2008, was conceived as a work that resists historical facts and seeks to create a universal truth through pure perception. Hirschhorn stated that 'Das Auge' sees but does not understand, proposing that this mode of seeing allows for an opening to the 'Other' and an implication with the work. The exhibition specifically focused on the color red, which was presented as the blood of the wounded and dead, the blood of slaughtered seal pups, the color of protesting mannequins, capillary vessels, national emblems, and simple cardboard hearts. The artist asserted that red connects and relates beyond understanding, information, opinion, or commentary. The exhibition aimed to create conditions for dialogue or confrontation by emphasizing 'only' seeing, which maintains the autonomy of 'Das Auge' and insists on seeing without understanding.
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