This exhibition explores the work of František Kupka during the 'golden age' of satirical magazines in Paris around 1900. It highlights his less-known satirical drawings, demonstrating how this seemingly opposed genre was a substantial part of his oeuvre and influenced his later non-figurative art.
This exhibition delves into František Kupka's contributions to satirical drawing in Paris at the turn of the 19th and 20th centuries, a period known as the "golden age" of satirical magazines. While Kupka is celebrated as a pioneer of non-figurative art, this exhibition showcases his extensive work in satire, arguing its significance as a foundational element of his artistic journey. The exhibition contextualizes his pieces, particularly his cycles for "Assiette au Beurre" such as "Money," "Peace," and "Religion," within the vibrant and often subversive environment of Montmartre. It examines how this combative yet scandalous work strengthened his non-conformist approach and critique of social conditions, paving the way for his later abstract concepts.
Satirical magazines of the era served as a powerful, concise visual medium for commentary on modern life, social issues, and political phenomena. Paris, in particular, saw a surge in these periodicals, with drawing playing a dominant role. The exhibition aims to demonstrate the diversity of thought and form present in this genre, moving beyond simple socio-political themes to include the critically playful context of the fin-de-siècle. It presents Kupka's work alongside that of other Parisian artists, including those from the Czech Republic, highlighting the freedom and complexity of European cultural expression despite censorship and societal challenges. The exhibition underscores the enduring relevance of this questioning and critical approach to art and society, as reflected in the "mirrors of naked Truth."