Marlies Pöschl: Les Maintenants Video Art Exhibition at Salzburger Kunstverein

This exhibition presents the work of artist and filmmaker Marlies Pöschl, exploring themes of humanity, ethics, and the future of technology through moving image and participatory projects. The show features several film works that investigate the relationship between humans and artificial intelligence in contexts such as elder care.

Marlies Pöschl: Les Maintenants features a body of work that straddles the line between film, research, and philosophical reflection. As the 2019 winner of the Salzburger Kunstverein / Salzburg Land Förderpreis, Pöschl presents works that delve into science fiction and feminist theory, questioning how technological advancements and automation might reshape our empathy, end-of-life care, and daily existence. Her films, often created in collaboration with non-professional actors including children and senior citizens, offer a vertiginous look at a world undergoing rapid, sometimes uncomfortable change. The exhibition title refers to the French neologism for the plural of 'now,' pointing to Pöschl's interest in alternative temporalities and an eternal, repeated present. Through films such as 'Simple Whistles,' 'Schatzalp,' and 'Aurore,' the artist explores how humans and non-human actors—such as care robots—interact. These works transform myth, documentation, and speculative fiction into carefully constructed narratives that challenge standardized rhythms and invite viewers to consider the importance of reciprocity and situatedness in our technological age.

The exhibition was hosted at the Salzburger Kunstverein. Visitors are encouraged to check the institution's official website for general admission and visiting information, as the archive page does not contain specific ticketing details for this past event.