IN/CROCI 2.0 brings together a diverse group of artists and writers to investigate the simultaneous nature of social discrimination. Inspired by Kimberlé Crenshaw's intersectional framework, this project serves as a collaborative space at Cantiere Sanbernardo. Visitors encounter a variety of creative mediums, including video art, live performances, and DJ sets that subvert power dynamics.
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IN/CROCI 2.0 is a collective exhibition that draws inspiration from the concept of intersectionality to explore the overlapping and simultaneous nature of social oppression. The project brings together a diverse group of artists, musicians, and writers to examine the interactions between identity markers such as gender, class, and ethnicity.
IN/CROCI 2.0, curated by Laura Griffa and Jennifer Telluzzi, is a collective exhibition project that originated from an intersectional framework. The title references the concept introduced by Kimberlé Crenshaw, emphasizing how multiple systems of discrimination interact and overlap to create unique forms of social exclusion. By fostering a horizontal collaboration among a diverse group of contributors, the exhibition serves as a space for reflecting on these power dynamics. The displayed works and performances collectively highlight, exaggerate, and subvert mechanisms of oppression. The project emphasizes individual and group perspectives, bringing together various mediums including video art, live performance, DJ sets, and live coding. Held at Cantiere Sanbernardo in Pisa, the exhibition functioned as both a showcase for multidisciplinary creative practices and a site for collective dialogue.
The exhibition was held at Cantiere Sanbernardo in Pisa with an open programme featuring daily openings, performances, and evening events. Admission details were managed in the context of the venue's general operations during the event dates in February 2023.
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