Prague
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Memory of Touch: Chapter I – An Exhibition Exploring Fragility and Resilience at Kunsthalle Praha

This exhibition initiates a dialogue between historical and contemporary art from the Kunsthalle Praha Collection, highlighting unique material exploration.

Discover 'Memory of Touch: Chapter I' at Kunsthalle Praha, the initial part of a two-chapter exhibition exploring the institution's collection. This presentation places historical and contemporary works in thoughtful dialogue with invited artists. Visitors will engage with how artists across generations utilize fractured forms and unstable materials to reflect and process an evolving world, asserting fragility as a powerful mode of resistance.

About Memory of Touch: Chapter I at Kunsthalle Praha in Prague

Read curatorial context and practical visitor information for Memory of Touch: Chapter I at Kunsthalle Praha in Prague

Exhibition summary

Memory of Touch: Chapter I is the first part of a two-chapter exhibition that delves into the Kunsthalle Praha Collection by placing historical and contemporary works in dialogue with invited artists. The exhibition explores fragility and vulnerability not as weaknesses, but as gestures of resilience and forms of resistance, examining how artists across generations fracture form and work with unstable materials to articulate the present.

Curatorial context

Memory of Touch, an exhibition unfolding in two chapters, inaugurates the first major exploration of the Kunsthalle Praha Collection. Instead of treating the collection as a fixed and closed entity, it sets historical, post-war, and contemporary works in dialogue with invited Czech artists, allowing their ideas and attitudes to open the collection outward and generate new resonances. The exhibition offers a quiet counterpoint to a cultural landscape that often celebrates control and certainty, turning the gaze toward fragility and vulnerability as gestures of resilience. The Kunsthalle Praha collection is presented not as a commentary on history, but as an undercurrent that "choreographs" works not as subjects but as atmospheres, asking what the past awakens in us and how it continues to shape the present. The first chapter, 'Chapter I', foregrounds fragility in its visual, material, and formal intensities, examining how artists across generations fracture, loosen, or destabilize form to mirror and process an unstable world. This chapter showcases early avant-garde experimentations, post-war artists working under censorship, and contemporary practitioners mobilizing fractured narratives and volatile materials. By reactivating the past and bringing together a wide spectrum of media like painting, drawing, installation, sculpture, photography, and video, the exhibition asserts fragility as a living language of our time: delicate yet resilient, uncertain yet generative. It forms a terrain of broken structures where fragility becomes a mode of aesthetic thinking and a way of making form into its own kind of resistance.

Admission and ticket notes

Visitors will have access to a multilingual audioguide created in collaboration between Kunsthalle Praha and the Cabinet of Wonders platform. Further ticketing information is not provided on this page, but is likely available via the museum's general admission policies.

Memory of Touch: Chapter I key exhibition facts

Review exhibition status, schedule, venue context, and attribution details for Memory of Touch: Chapter I at Kunsthalle Praha in Prague

Venue
Kunsthalle Praha
Current status
Open now
Exhibition schedule
From Jun 19, 2026
Artist line / attribution
Featuring Zbyněk Baladrán, Jiří Černický, Agnes Denes, Emil Filla, Tomislav Gotovac, Milan Knížák, Jiří Kovanda, Jiří Kolář, Jitka Kolínská, Eva Koťátková, Bela Kolarova, Bohumil Kubišta, Heinz Mack, Frank Joseph Malina, Ján Mančuška, Haroon Mirza, Jaromír Novotný, Theodor Pištěk, Marie Rychlíková, Kurt Schwitters, Edita Schubert, Ira Svobodová, Jindřich Štýrský, Goran Trbuljak, and invited artists Lukáš Hofmann, Igor Hosnedl, Jakub Choma, Valentýna Janů, Marie Lukáčová, Roman Štětina.
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