Prague
Completed

Faces: The Enduring Phenomenon of the Human Face in Video Art at Rudolfinum Gallery

The exhibition showcased eighteen works, exploring identity, emotion, and self-portrayal in video art since the 1960s.

The 'Faces. The Phenomenon of Face in Videoart' exhibition at Rudolfinum Gallery explored the profound significance of the human face in visual art. It examined its evolving representation through the medium of video art, from the 1960s to contemporary expressions. Showcasing eighteen pivotal works, the exhibition highlighted how video enabled new dimensions for portraying identity, emotions, and the Self.

About Faces. The Phenomenon of Face in Videoart at Galerie Rudolfinum in Prague

Read curatorial context and practical visitor information for Faces. The Phenomenon of Face in Videoart at Galerie Rudolfinum in Prague

Exhibition summary

This exhibition delves into the significance of the human face in visual art, specifically exploring its representation and evolution within video art from the 1960s to the present. It showcases eighteen works by prominent video artists, examining how the medium of video has enabled new dimensions in portraying facial expressions, identity, emotions, and the Self.

Curatorial context

The exhibition 'Faces. The Phenomenon of Face in Videoart' investigates the enduring importance of the human face as a central theme in art, particularly through the lens of video art. Since the advent of moving images, artists have utilized film and video to explore facial representation in ways previously impossible, capturing the dynamism of expression, the complexities of identity, the portrayal of emotions, and the examination of the Self. This exhibition features eighteen significant works from key figures in video art history, spanning from the early 1960s to the 21st century. By highlighting the unique capabilities of video and video installation, the exhibition demonstrates how these mediums facilitate new forms of representation for the face, allowing for a deeper exploration of its role as a visual medium. The featured artworks underscore the irreplaceable contribution of video art to contemporary reflections on fundamental human categories such as identity, emotional expression, and the mind. Furthermore, the exhibition illustrates how the face, serving as an object, a material, and a phenomenon, has become a primary vehicle for video art to visually articulate its own pictorial nature and the characteristics of an audiovisual medium.

Admission and ticket notes

The page mentions that 'admission is voluntary' and provides closing times. Last entry is strictly 30 minutes before closing. However, specific pricing or booking procedures for this past exhibition are not detailed beyond the voluntary admission note, and the current closure status is stated as 'CLOSED' for most days of the week.

Faces. The Phenomenon of Face in Videoart key exhibition facts

Review exhibition status, schedule, venue context, and attribution details for Faces. The Phenomenon of Face in Videoart at Galerie Rudolfinum in Prague

Venue
Galerie Rudolfinum
Current status
Completed
Exhibition schedule
Jun 21, 2012 – Sep 16, 2012
Artist line / attribution
Featuring works by Marina Abramović, Vito Acconci, Peter Campus, Juan Manuel Echavarría, Douglas Gordon, Franz Gratwohl, Freya Hattenberger, Nan Hoover, Bruce Nauman, Nam June Paik, Ulrike Rosenbach, Steina, Miloš Šejn, Fiona Tan, Bill Viola, and Peter Weibel.
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