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Michael Biberstein: Do ticha - An Exhibition of Imaginary Landscapes at Rudolfinum Gallery

Explore monumental paintings by the Swiss artist, blending European landscape tradition with East Asian artistic influences.

The 'Michael Biberstein: Do ticha' exhibition at Rudolfinum Gallery showcased a collection of new and significant works by the Swiss painter. Biberstein's art delves into constructed imaginary landscapes, blending centuries of European tradition with influences from Chinese painting. These monumental pieces act as metaphors, prompting reflection on humanity's place in the world. Explore the conceptual depth and artistic fusions presented in this compelling exhibition.

About Michael Biberstein: Do ticha at Galerie Rudolfinum in Prague

Read curatorial context and practical visitor information for Michael Biberstein: Do ticha at Galerie Rudolfinum in Prague

Exhibition summary

This exhibition showcased new and significant works by Swiss painter Michael Biberstein, focusing on his constructed, imaginary landscapes. The art explores the essence of European landscape painting tradition, drawing from historical European and East Asian art to create monumental pieces that are metaphors for thinking about landscape.

Curatorial context

The exhibition 'Michael Biberstein: Do ticha' presented a substantial collection of new paintings by the Swiss artist, alongside key works from the 1990s. Biberstein's practice centers on the artifice of the imagined landscape, distilling centuries of European landscape painting traditions, from medieval art to contemporary works, and incorporating influences from traditional Chinese painting. His monumental pieces function as metaphors for the conceptualization of landscape, rather than direct representations of specific locations. Throughout his career, Biberstein has explored the relationship between image and painting. The 1970s and 1980s were dedicated to analytical, often conceptual investigations into the visual language of art, characterized by minimalist studies of color, plane, line, structure, and space. By the end of the 1980s, his work shifted towards dramatic, baroque-inspired landscapes depicting desolate, rocky mountain scenes with tumultuous atmospheric phenomena. In the 1990s, his canvases grew in scale, with a focus increasingly shifting to the infinite space above the landscape—the intangible flow of air, clouds, mist, and light. Despite the imaginative and often transcendent quality of these imaginary landscapes, a rational, conceptual undercurrent remains. Biberstein's work touches upon profound philosophical questions about humanity's relationship with the world and the vast, ever-changing universe, merging European thought with East Asian artistic traditions.

Admission and ticket notes

The page mentions that the last entry to the exhibition is possible 30 minutes before closing. Visitors who do not have enough time are welcome to return and view the rest of the exhibition at another time, as admission is voluntary. Specific opening hours and address are provided, but direct ticketing or pricing details for this specific exhibition are not detailed beyond the voluntary admission concept for return visits.

Michael Biberstein: Do ticha key exhibition facts

Review exhibition status, schedule, venue context, and attribution details for Michael Biberstein: Do ticha at Galerie Rudolfinum in Prague

Venue
Galerie Rudolfinum
Current status
Open now
Exhibition schedule
From Dec 14, 2001
Artist line / attribution
Michael Biberstein (1948), a Swiss painter, was the featured artist in this exhibition. The exhibition was curated by Petr Nedoma.
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