Dive into 'The Duck', an important exhibition featuring Michaël Borremans, the distinguished Belgian painter. This presentation at Galerie Rudolfinum offers a comprehensive look at his oeuvre, including significant painting practice and innovative video installations. Explore thirty pieces, with new works commissioned for the venue, reflecting Borremans' unique artistic imagination and profound psychological depth. His work draws connections to Dutch masters while exploring contemporary themes with an unsettling beauty.
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This exhibition showcases the work of Belgian artist Michaël Borremans, a distinguished figure in contemporary painting known for his unsettling psychological nuance. 'The Duck' presents a cross-section of his painting practice and video installations, including new works created specifically for the venue.
Michaël Borremans (born 1963) has achieved international acclaim for his innovative approach to painting, addressing universal themes with a contemporary resonance and a distinctively unsettling psychological depth. The exhibition 'The Duck' offers a comprehensive look at his oeuvre, featuring thirty pieces that span his painting practice alongside his video installations. Notably, the exhibition premieres three new paintings created by the artist in Autumn 2019 specifically for Galerie Rudolfinum. Curator Petr Nedoma highlights Borremans' static scenes as illusory reflections of the artist's imagination, drawing connections to the pictorial tradition of Dutch masters from the seventeenth and eighteenth centuries, while imbuing them with latent violence and extraordinary beauty. Borremans' work betrays an interest in film and photography, depicting scenes in unnaturally slow motion with precise details, hinting at transcendental or spiritual questions with an ironic tone. The text emphasizes that contemporary painting transcends mere reality documentation, instead immersing itself in the rich tradition of painting as an imaginative world. Borremans deliberately engages with historically substantiated depiction, unearthing accumulated interpretational layers from centuries of art history. His practice is characterized by a detachment from everyday actuality and the incessant flow of information, creating static tension through motionless paintings of bizarre banalities, which serves as a primary source of attraction in his complex artistic universe.
Admission to the exhibition is voluntary. Last entry to the exhibition is strictly 30 minutes before closing time. The gallery is closed on Mondays, Tuesdays, Wednesdays, and Thursdays. Specific opening hours for Fridays, Saturdays, and Sundays are not provided in this context, but general visitor information is available via a 'Map and other information' link.
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