Magda Korsinsky's installation, STRICKEN, engaged with the complex relationships between grandchildren and their grandmothers who experienced the National Socialist period. The project at the House of Austrian History utilized interviews with Afro-German women and everyday textile materials. These elements were woven into a large-scale multimedia installation, creating patchwork narratives that reflected on historical inheritance and its influence on self-perception.
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STRICKEN, the Installation by Magda Korsinsky, presented from May 16 to June 10, 2019, explored the relationship between grandchildren and their grandmothers who lived during the Nazi era. The interdisciplinary art project used interviews and textile materials to examine heritage and self-perception.
Presented from May 16 to June 10, 2019, at the Haus der Geschichte Österreich (hdgö) in cooperation with Wiener Festwochen, 'STRICKEN, die Installation' by Magda Korsinsky was an interdisciplinary art project that delved into the complex relationship between grandchildren and their grandmothers who lived through the National Socialist period. The core of the project was based on interviews with Afro-German women, examining their connection to their grandmothers' biographies and their relationship to National Socialism. It critically addressed the inheritance of past patterns and entanglements, and how this influences self-perception. The exhibition's visual framework was a large-scale, multimedia installation. Everyday textile materials from the interview partners were sewn together to form projection surfaces and patchwork narratives of historical reflection. Video and sound documents provided unique perspectives within the influential space of familial heritage. The inspiration for the project stemmed from Jennifer Teege's book 'Amon. Mein Großvater hätte mich erschossen,' detailing her discovery that she was the granddaughter of Amon Göth, an Austrian SS concentration camp commandant. The installation was part of the exhibition project 'Das Wissen der Kindheit' (The Knowledge of Childhood) and was curated by Birgit Lurz, Verena Melgarejo Weinandt, and Wolfgang Schlag.
The page mentions special and curator-led tours, as well as a reading with the artist and author, and a workshop. Specific ticketing details for the installation itself are not provided, but general museum entry and potentially ticket selection options are hinted at through site navigation elements. Visitors are directed to general museum offerings and related events.
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