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Historical reunion of 16th-century paintings in Tokyo and Bruges

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For the first time in over a century, two related 16th-century panels are being showcased together in a special exhibition. Following a presentation at the National Museum of Western Art in Tokyo, these works will travel to the Groeningemuseum in Bruges for a summer exhibition in 2026. This unique reunion offers a rare opportunity to view both masterpieces side by side.

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A 16th-century painting displayed in a professional gallery setting representing a cultural partnership between BRUSK and the NMWA.

Historic Art Reunion: Rare 16th-Century Bruges Painting Travels to Tokyo

An extraordinary artistic reunion is taking place across oceans. A precious 16th-century painting, Scenes from the Life of Saint James and Saint John, has left its usual home at the Groeningemuseum to be showcased in Japan. This historic journey marks the first time in more than a century that the masterpiece is being displayed alongside its sister piece.

A Century-Old Separation Reconciled

In 1909, both of these detailed panels were held by a London art dealer. The works, identical in size and likely created by the same unidentified master, were separated when one was acquired for the municipal collections in Bruges. The other was purchased by the prominent Japanese collector Kojiro Matsukata, eventually finding its home at the National Museum of Western Art (NMWA) in Tokyo. After nearly 116 years apart, the two paintings have finally been reunited in the Japanese capital.

The Logistics of a Delicate Journey

Moving a 16th-century painting on a wooden panel across the globe presents massive conservation challenges. Because wood is highly sensitive to shifts in temperature and humidity, experts from both museums worked alongside specialized transport teams to build a custom-molded crate. The artwork traveled by road to Luxembourg before boarding a cargo flight to Tokyo, accompanied throughout by Bruges' early Netherlandish art curator, Anna Koopstra.

This major display is the culmination of scientific collaboration starting back in 2017. Before the painting departed, painting conservator Sofia Hennen undertook careful cleaning and restoration work, while researchers utilized infrared reflectography to study the hidden layers of both masterpieces.

Planning Your Visit to See the Exhibition in Bruges

For those currently in Japan, the joint presentation is on display at the National Museum of Western Art in Tokyo until May 10, 2026. However, culture lovers planning a trip to Belgium will soon have their own chance to witness this historic pairing.

Following the Tokyo exhibition, both paintings will travel back to Europe. They will be displayed together at the Groeningemuseum in Bruges from June 16 to October 26, 2026. This offers a rare summer and autumn window to appreciate these historic panels side-by-side in their original Flemish context.

If you are planning an upcoming trip to the historic city center, let Musemap (musemap.art) help you coordinate your itinerary. You can easily explore local museums or browse upcoming cultural exhibitions to make the most of your visit.

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What is the historical significance of the two paintings?

The two 16th-century panels depict scenes from the lives of Saint James and Saint John. They were likely painted by the same anonymous artist and were separated for over 116 years before this reunion.

Where can I see these paintings?

The paintings are currently on display at the National Museum of Western Art (NMWA) in Tokyo until May 10, 2026. They will then be exhibited together at the Groeningemuseum in Bruges from June 16 to October 26, 2026.

Was any research conducted on these artworks?

Yes, both paintings have been extensively studied by researchers from the NMWA and Musea Brugge using methods like infrared reflectography. The Bruges panel also underwent recent conservation and cleaning.

How was such a delicate painting transported to Japan?

Transporting the wooden panel required specialized expertise. It was packed in a custom-made crate and moved via truck and cargo plane, with a curator monitoring the condition of the artwork throughout the journey.

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