The Right to Plasticity invites visitors to engage with a series of abstract works that challenge the traditional boundaries of institutional space. Through the Pinturas Arrancadas à Noite series, the exhibition highlights the materiality of the medium by incorporating traces of urban interventions. These large-scale paintings and smaller compositions examine memory, gesture, and the construction of form.
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This exhibition explores art as a space of freedom and intervention, presenting painting as a territory for transformation and creative assertion. Through a series of large-scale works and intimate paintings, the artist investigates the boundaries between public and institutional spaces, emphasizing the materiality of the medium.
The Right to Plasticity presents a body of work by Marta Soares that questions the boundaries between public and institutional space, reclaiming a unique place for artistic thought and action. Central to the exhibition is the series 'Pinturas Arrancadas à Noite' (Paintings Torn from the Night), which consists of large-scale works incorporating the textures, traces, and residues of interventions conducted in urban environments. Through a combination of monumental pieces and more intimate paintings, the exhibition builds a visual universe defined by overlapping layers, transparencies, and chromatic shifts. The work invites visitors to reflect on the intersections between the materiality of painting, memory, personal experience, and creative freedom. The project also includes an artist's book that extends this investigation into the nature of form, gesture, and image construction.
Admission to the exhibition is free of charge. Visitors can find location details and further information on the museum's website or via the provided map link for the Centro de Artes Visuais premises in Coimbra, Portugal.
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