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Eye Filmmuseum Explores Colonial Film Heritage with 'Eye(s) Open' Exhibition

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Eye Filmmuseum presents 'Eye(s) Open – New Perspectives on Colonial Film Heritage', an exhibition featuring ten new works by eleven international artists. These artists engage with the museum's collection of colonial-era films from Indonesia and Suriname, offering critical insights into colonial structures and the role of cinema in perpetuating power dynamics.

ExhibitionFilm HeritageColonial HistoryArt InstallationAmsterdam
A thought-provoking contemporary art exhibition at Eye Filmmuseum, featuring abstract video projections and installations that delve into colonial film history.

Eye Filmmuseum in Amsterdam Presents "Eye(s) Open": New Perspectives on Colonial Film Heritage

The Eye Filmmuseum in Amsterdam is set to open a significant new exhibition, "Eye(s) Open – New Perspectives on Colonial Film Heritage," inviting visitors to explore challenging aspects of Dutch colonial history through contemporary art. Opening on April 3, 2026, and running until September 6, 2026, the exhibition features the work of eleven artists who respond to the museum’s extensive collection of colonial-era films.

Rethinking Colonial Narratives Through Film

This exhibition addresses a critical part of the Eye Filmmuseum's archive, which contains approximately 2,000 films from formerly occupied regions in Indonesia and Suriname. These historical documents, often produced from a Eurocentric viewpoint, played a role in shaping and maintaining colonial systems. The participating artists have created ten new works directly engaging with these archival materials. Their interpretations aim to expose colonial structures and practices, challenging the historical role of the camera in perpetuating power dynamics.

The museum emphasizes that the lingering traces of the Dutch colonial past are still evident in everyday life and visual memory. By revisiting these archival images, "Eye(s) Open" provides a platform to critically examine this complex heritage.

A Living Archive and Diverse Interpretations

Eye Filmmuseum considers its vast international film collection a "Living Archive," encouraging new interpretations by artists, thinkers, and researchers. This approach ensures that film history remains dynamic and is continuously shaped by complementary perspectives. Following an open call in 2023, the museum received significant interest, particularly concerning its collection related to Indonesia and Suriname. As a result, Eye decided to support ten projects, offering a diverse range of new perspectives for visitors and fostering dialogue.

Bregtje van der Haak, Director of Eye Filmmuseum, highlighted the importance of continually questioning the collection. She underscored the need to consider historical access to cameras, make visible what might be absent from the archive, and enrich the collection to make shared history more accessible to everyone.

Eleven artists from various countries spent two years researching often problematic archival images for the exhibition. These new works will also become part of the Eye Filmmuseum’s permanent collection.

Exploring Specific Installations

Among the notable contributions, Indonesian artist Riar Rizaldi presents a fresh take on early twentieth-century "phantom ride" films, where a camera mounted on a locomotive recorded passing landscapes. His film installation, Tropenkolder, uses re-enactment and rotating horn loudspeakers to evoke the experiences of Javanese railway workers, whose labor made such films possible yet remained unseen.

Dutch artist Eline Jongsma and American artist Kel O’Neill collaborated on Dominion, an experimental AI-based installation. It imagines unfilmed encounters between Dutch Catholic missionaries and the local population of Flores island.

British artist Jameisha Prescod’s multi-channel film installation, What We Inherit, adopts an essayistic style. It delves into Black Surinamese spiritual responses to illness and examines how colonial ideas about Black bodies influenced healthcare for Afro-Surinamese and Marron communities.

Collaboration and Further Engagement

For "Eye(s) Open," the museum collaborated with guest curator Hicham Khalidi, Director of the Jan van Eyck Academie in Maastricht. Khalidi notes that the exhibition’s strength lies in the diversity of the participating artists, not only in their backgrounds and disciplines but also in their varied approaches to imbuing existing images with new meaning. He suggests that by challenging the images themselves, the exhibition disrupts the camera's "totalizing lens" and the archive's "false promise of truth," thereby creating opportunities for resistance.

Accompanying Publication and Programs

The exhibition is complemented by a publication that gathers the artists’ perspectives alongside artistic and scholarly contributions, reflecting on the impact of a violent history. This publication also aims to encourage new research and collaborations with Indonesian archives. A series of five "Eye on Art" editions will accompany the exhibition, focusing on the participating artists, their previous works, and themes like provenance, AI, and the collection. More details about the exhibition and related programs can be found on the museum’s website eyefilm.nl/eyesopen.

Visitors interested in exploring this unique exhibition can find more information on Musemap (musemap.art), a platform for culture discovery. To discover more about current showcases at the Eye Filmmuseum and other cultural institutions, browse what's on in the city at /amsterdam/whats-on or explore other fascinating venues like the Eye Filmmuseum at /amsterdam/museum.

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What is the 'Eye(s) Open' exhibition about at Eye Filmmuseum?

The 'Eye(s) Open' exhibition showcases ten new artworks created by eleven international artists who critically engage with Eye Filmmuseum's collection of approximately 2,000 colonial-era films from Indonesia and Suriname, offering fresh perspectives on this historical film heritage.

When is the 'Eye(s) Open' exhibition taking place at Eye Filmmuseum?

The exhibition 'Eye(s) Open – New Perspectives on Colonial Film Heritage' is on view from April 3 to September 6, 2026, at Eye Filmmuseum in Amsterdam.

Which artists are participating in the 'Eye(s) Open' exhibition?

The exhibition features works by Paula Albuquerque, Timoteus Anggawan Kusno, Esther Figueroa, Sabine Groenewegen, Jongsma $^ { + }$ O'Neill, Miranda Pennell, Jameisha Prescod, Afrian Purnama, Riar Rizaldi, Mahardika Yudha, and guest curator Hicham Khalidi.

What kind of historical films are featured in Eye Filmmuseum's collection for this exhibition?

The exhibition focuses on colonial-era films from formerly occupied regions such as Indonesia and Suriname, which were recorded from the perspective of the occupying powers and are now being re-examined.

How does 'Eye(s) Open' challenge traditional views of colonial film heritage?

The participating artists use new works to expose colonial structures and practices, question the camera's role in power, and disrupt the Eurocentric perspective of the archive, creating openings for resistance and dialogue.

Is there a publication associated with the 'Eye(s) Open' exhibition?

Yes, a publication titled 'Eye(s) Open – New Perspectives on Film Heritage from Colonial Times' accompanies the exhibition, featuring contributions from the artists and scholars reflecting on the colonial past and its impact.

Can visitors expect related events at Eye Filmmuseum during the exhibition?

Eye Filmmuseum will host a film program accompanying 'Eye(s) Open', including five 'Eye on Art' editions focusing on the participating artists, themes like provenance, AI, and the collection, alongside other talks and events.

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