Delve into the seminal work of British artist Anthony McCall as featured at Eye Filmmuseum. This exhibition highlighted his pioneering 'solid light films' and large-scale light-projection installations, challenging traditional views of art and film. It offered visitors a unique perspective on light as a sculptural medium through engaging, immersive experiences. The showcase explored the artist's extensive practice from 1971 to 2014, including early performances and later digital pieces.
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This exhibition at Eye Filmmuseum presented the work of British artist Anthony McCall, focusing on his groundbreaking 'solid light films' and large-scale light-projection installations. It explored the development of his unique approach to light as a sculptural medium, challenging traditional definitions of film and art.
From 28 September to 30 November 2014, Eye Filmmuseum hosted the first solo exhibition in the Netherlands by British artist Anthony McCall, titled 'Anthony McCall – Solid Light Films and Other Works (1971–2014)'. McCall's work, characterized by sculptural light projections, is both minimalist and magical, defying categorization within traditional art historical boundaries of sculpture and film. The exhibition delved into his extensive body of work, particularly his large-scale installations that transform light beams into tangible forms within gallery spaces, often utilizing mist to render the light sculptural. The exhibition was structured in two parts. The first introduced the "roots" of the solid light films through McCall's drawings, photographs, early performance documentation, maquettes, and notebook pages. The second part traced the evolution of his solid light films, from seminal works like 'Line Describing a Cone' (1973) and 'Four Projected Movements' (1975) to later digital installations such as 'Doubling Back' (2003) and 'Face to Face II' (2013). The exhibition also featured 'Traveling Wave' (1972/2013), a unique sound-based work. McCall's practice, deeply informed by the art and film movements of the 1960s and 1970s including expanded cinema, performance art, and conceptual art, critically examines the foundations of film and challenges viewers to physically engage with his moving light sculptures.
Information regarding exhibition tickets and admission is not detailed on this page. Visitors are encouraged to consult the Eye Filmmuseum's official channels for current ticketing details and access information. A related publication is available via the Eye shop.
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