The 'Béla Tarr – Till the End of the World' exhibition at Eye Filmmuseum invited visitors to immerse themselves in the work of an acclaimed filmmaker. This showcase explored Tarr's signature long takes, melancholic cinematic language, and deep engagement with the human condition. Experience a unique blend of film, installation art, and found footage that articulated his distinct worldview and social critique.
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This exhibition at Eye Filmmuseum showcased the work of influential filmmaker Béla Tarr, celebrated for his long takes and melancholic films. It explored themes of human condition, existential despair, and social commentary through film, installation, and found footage.
From January 21 to May 7, 2017, Eye Filmmuseum presented 'Béla Tarr – Till the End of the World,' an exhibition dedicated to one of the most influential filmmakers of the past three decades. Béla Tarr, born in Pécs, Hungary, in 1955, is renowned for his visually striking, melancholic films characterized by long takes and predominantly black-and-white cinematography. His works, including 'Damnation' (1988), the epic 'Sátántangó' (1994), and 'Werckmeister Harmonies' (2000), often portray human existence in existential despair within desolate landscapes, while occasionally offering glimpses of solace. For this exhibition, Tarr created a unique space that merged film, theatre, and installation. He utilized found footage, war imagery, props from his films, and a specially filmed new scene to articulate his bleak worldview and critique the inhumane treatment of refugees and migrants. The exhibition reflected his belief in film as the seventh art form, focusing on visual power and existential themes rather than conventional storytelling. Eye Filmmuseum, which has a significant collection of Tarr's films, aimed to provide a comprehensive look at his impactful oeuvre and his distinct cinematic language.
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