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New research identifies subject in historic portrait by Ingres

News from O.L.V.-kerk Museum

Researchers at Musea Brugge have identified the man in a famous 1813 portrait by French master Jean-Auguste-Dominique Ingres as the Bruges artist Joseph Ducq. This discovery highlights the strong international connections between 19th-century Bruges painters and the European art scene of the time.

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An art historical research setting featuring an identification study of a portrait drawing of Joseph Ducq at the O.L.V.-kerk Museum.

Jean-Auguste-Dominique Ingres Portrait of Bruges Artist Joseph Ducq Identified by Musea Brugge

A major breakthrough in art history has occurred in Bruges, where researchers have successfully uncovered the identity of an anonymous subject in a portrait drawing by French master Jean-Auguste-Dominique Ingres. The mystery, which persisted for decades, highlights the deep historical connections between local painters and the wider European art scene during the nineteenth century.

The drawing, created by Ingres in 1813, was long believed to depict a local politician named Charles-Bernardin-Ghislain Coppieters-Stochove—an identification proposed in 1980. However, meticulous collection research led by Dr. Thijs Dekeukeleire has corrected this history. The subject is actually Joseph Ducq (1762–1829), a notable painter, neoclassical draftsman, and a former director of the Bruges Academy.

The breakthrough came when researchers compared the Ingres drawing to a lithograph print of Ducq created by his student, Adriaan Wulffaert, which is preserved in the local print room. The similarity between the two portraits left no doubt about the subject's true identity.

Unlocking the International Legacy of Bruges Artists

This research is part of a broader initiative called Apprentice-Master II, which aims to map out the international travels and careers of Bruges artists during the long nineteenth century. Like many of his peers, Ducq trained locally before traveling to major cultural hubs like Paris and Rome to refine his skills.

While residing in Rome, Ducq became part of an active community of French and Flemish creators, where he developed a friendship with Ingres. The portrait was likely a parting gift to Ducq before his return to Flanders. Today, the original drawing is part of a private collection in Canada, but this identification cements its connection to the city's artistic lineage.

What This Means for Visitors to Bruges

For those exploring the cultural landscape of the city, this discovery enriches the understanding of local heritage. It shows that artists from this historic city were not isolated figures but active participants in the grand European Neoclassical movement.

The ongoing research into these historical networks will soon find a home in the city's upcoming research centre BRON, located in the Bruges Museum Quarter. This new facility will work alongside other venues to dive deeper into the stories behind the city's extensive collections.

When planning your cultural itinerary, Musemap (musemap.art) can help you navigate the historic heart of the city. To plan your next stops and uncover masterpieces ranging from classical sculptures to neoclassical works, you can browse local museums, use the interactive map view, or check the latest listings via the Bruges museum search.

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Who is the artist depicted in the newly identified portrait by Ingres?

The man in the portrait has been identified as the 19th-century Bruges artist Joseph Ducq (1762–1829).

How was the subject of the portrait identified?

Researchers used a print held in the Musea Brugge collection, created by Ducq's pupil Adriaan Wulffaert, which perfectly matched the features in the Ingres drawing.

Why is this discovery significant for Musea Brugge?

The finding underscores the deep international connections of the Bruges Academy and the influence of local artists within the broader European art world of the 19th century.

Where is the original portrait currently located?

The original drawing by Jean-Auguste-Dominique Ingres is currently held in a private collection in Toronto, Canada.

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