Amsterdam
Completed

Ibrahim Mahama: Garden of Scars – A Contemporary Art Installation at Oude Kerk, Amsterdam

This site-specific exhibition explores shared histories of trade, migration, and resilience through monumental sculptures.

Immerse yourself in Ibrahim Mahama’s powerful installation, 'Garden of Scars', at Oude Kerk in Amsterdam. This compelling site-specific work bridges the history of Amsterdam's oldest building with global narratives of trade and migration. Discover hundreds of sculptures created from casts of tombstones and historical fort floors, exploring collective memory and resilience. The exhibition invites visitors to reflect on interconnected pasts and presents through contemporary art.

About Ibrahim Mahama: Garden of Scars at Oude Kerk in Amsterdam

Read curatorial context and practical visitor information for Ibrahim Mahama: Garden of Scars at Oude Kerk in Amsterdam

Exhibition summary

Oude Kerk presents Ibrahim Mahama's 'Garden of Scars', a new, space-filling installation created especially for Amsterdam's oldest building. The exhibition connects the history of the Oude Kerk with an international context through hundreds of sculptures made from casts of tombstones and historical fort floors.

Curatorial context

Oude Kerk presents Ibrahim Mahama's 'Garden of Scars', a significant site-specific installation commissioned over two years and created especially for Amsterdam's oldest building. This exhibition acts as a bridge, connecting the rich history of the Oude Kerk with broader international contexts, including trade networks, migration flows, and globalization. The core of the installation features hundreds of sculptures meticulously crafted from casts of tombstones found within the Oude Kerk and the floors of Fort Elmina in Ghana, among other historical sites. These sculptures, with their visible fractures, scratches, and cracks, serve as poignant metaphors for a history marked by failure, repair, and resilience. Mahama uses the gravestones, which form the 3000m2 floor of the Oude Kerk, as a lens to examine collective memory and question the social and political aspects of their creation. He draws parallels between the family histories of merchants and figures buried in the Old Church and the enduring traces of colonial trade and its consequences in places like Fort Elmina, a site that initially served the gold trade and later played a crucial role in the Trans-Atlantic slave trade. Mahama's large-scale installations are known for their engagement with pressing contemporary issues, including the social and cultural impacts of global trade and migration. By utilizing existing materials, he makes visible shared histories between geographically and historically distant places, positioning himself as a 'time traveler' who presents multiple perspectives simultaneously. Previously, Mahama gained recognition for his installations incorporating burlap sacks, symbolizing the complex global economy from production in Asia to export from Ghana and eventual waste in his home country. His practice is rooted in a deep engagement with materials and their inherent historical narratives, making 'Garden of Scars' a powerful exploration of interconnected pasts and presents.

Admission and ticket notes

Tickets for Ibrahim Mahama: Garden of Scars can be booked online via the provided link. Visitors are directed to the official ticketing portal for admission details and booking. Information regarding museum entry and specific exhibition access is available through the visitor information portal.

Ibrahim Mahama: Garden of Scars key exhibition facts

Review exhibition status, schedule, venue context, and attribution details for Ibrahim Mahama: Garden of Scars at Oude Kerk in Amsterdam

Venue
Oude Kerk
Current status
Completed
Exhibition schedule
Nov 5, 2022 – Apr 10, 2023
Artist line / attribution
Ibrahim Mahama (b. 1987) is an internationally respected artist living and working between Tamale and Accra, Ghana. He studied painting and sculpture and has developed a practice focused on themes of globalisation, labour, and the circulation of goods, often collaborating with Ghanaian citizens. He is the founder of the Savannah Centre of Contemporary Art in Tamale and the Red Clay Studio complex, and received the Prince Claus Prize in 2020 for his commitment to social and cultural development in Ghana.
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