This exhibition at Oude Kerk presented Tony Oursler's 'I/O Underflow,' exploring the constant shift between reality and digitality, facts and fiction in our daily lives. It featured his earlier installations, including his famous talking dolls, and video performances "hacked" into the church's architecture.
Tony Oursler's exhibition 'I/O Underflow' was presented at the Oude Kerk, exploring the profound impact of mediatechnology on our lives. The exhibition featured a number of Oursler's earlier installations, notably his renowned talking dolls, alongside new video performances strategically placed within the church's adjacent period rooms. These "hacked" interventions highlighted the evolving nature of the architecture and the monumental space's cultural usage. The project encouraged reflection on the assumed truths hidden within each projected image, prompting visitors to consider the constant oscillation between reality and digitality, and between facts and fiction that characterizes contemporary existence. Oursler, born in 1957 and based in New York, is known for his conceptual approach, combining multimedia and immersive experiences with both traditional and new technologies. His work often draws inspiration from diverse pop culture phenomena, including telecommunications, narrative evolution, conspiracy theories, social media, and mysticism, questioning how these elements shape our identity and worldview.