This exhibition at the Oude Kerk features a new site-specific installation by British artist Tild Greene for the building's facade. Titled 'Yield,' the work uses a funnel to collect rainwater, channeling it onto a copper element that gradually changes color over time, referencing the building's drainage and local historical elements.
As part of the Warmoes Biennial, Tild Greene presents 'Yield,' a new site-specific installation positioned on the facade of the Oude Kerk. The artwork is conceived as a funnel, designed to collect rainwater and direct it towards a circular copper element. Over the duration of the exhibition, the copper will gradually develop a patina, its color shifting due to exposure to the elements, while a protected section remains untouched, preserved. This piece draws parallels with the existing drainage systems on the Oude Kerk's roof and facade, and subtly references the 'plaskrul,' a type of open-air urinal found in the vicinity, highlighting the dual nature of visibility and discreet presence in public art.
Tild Greene (they/them) is a British artist whose practice primarily engages with sculpture and text. Greene's work investigates how materials retain evidence of their use and the passage of time. They frequently utilize existing or industrial objects, integrating them with more delicate materials. The artist's exploration delves into themes such as utility, perceived value, repetition, and resilience. By repurposing objects or placing them in contexts slightly outside their intended function, Greene prompts reflection on how value is ascribed—not only to objects but also to individuals and their behaviors within public spaces. The Warmoes Biennial itself aims to encourage visitors to see Amsterdam's historic city center anew through intimate and large-scale artworks in diverse locations.