This exhibition by Laia Abril, a recipient of the National Photography Prize, delves into the realities of endometriosis, a chronic inflammatory disease affecting millions globally. The installation critically examines the historical medical biases and the persistent dismissal of pain, drawing parallels between past treatments for hysteria and contemporary experiences of women with endometriosis.
The exhibition 'Laia Abril. Endometriosis. El dolor silenciado.' (Endometriosis. The Silenced Pain) by Laia Abril, winner of the National Photography Prize 2023, confronts the pervasive issue of endometriosis, a chronic inflammatory disease affecting approximately 190 million women and individuals with uteruses worldwide. Despite its prevalence and debilitating symptoms such as intense pain, heavy bleeding, infertility, and nausea, the disease remains significantly under-researched. The exhibition critiques the historical medical bias that has historically used the male body as the universal model, leading to delayed diagnoses and the dismissal of patients' pain, with many reporting their symptoms as normal or exaggerated.
Drawing a historical continuity from the patologization of female bodies, exemplified by figures like Marie Blanche Wittman treated for 'hysteria' in the late 19th century with now-shocking methods, Abril's work presents fragmented bodies of five individuals with endometriosis. These images visualize the necessary dissociation for survival and evoke themes of obstetric violence and institutional abandonment. The installation establishes a historical link between the medical control of female bodies and the ongoing invalidation of pain, particularly in sexual and reproductive health, arguing that medicine has often functioned more as a control mechanism than a caring one.