This exhibition at the Museo de América showcases an extraordinary collection of Novohispanic lacquered trays, exploring their origin, significance, and diverse production centers in Mexico. It highlights the fusion of indigenous traditions with Asian and Western influences, revealing these pieces as objects of high technical and aesthetic quality associated with feminine adornment.
The Museo de América presents 'Novohispanic Lacquered Trays: A Cultural Crossroads,' an exhibition delving into the exceptional collection of lacquered trays originating from New Spain. The exhibition, curated by Adrián Contreras, a researcher from the University of Granada, illuminates the rich history and artistry of these pieces. It identifies and contextualizes the main production centers, such as Uruapan, Peribán, Pátzcuaro, and Olinalá in Mexico, and introduces Yucatán to this map of Novohispanic lacquer production.
During the Hispanic territories, significant original artistic productions emerged, skillfully combining indigenous traditions with new Asian and Western influences. These works utilized local materials and techniques, often destined for elite consumption and encompassing items like ceramic pieces, furniture, and the distinctive shell paintings. The lacquered trays, crafted by indigenous artisans, are particularly noted for their technical quality and aesthetic value, primarily associated with feminine trousseaus. The lacquer technique, with pre-Hispanic roots, was transformed by Asian influences into more durable and luxurious decorative items. While complex and refined examples are preserved, simpler versions likely existed for broader social access. This exhibition serves as a crucial point of reference for understanding these trays not just as decorative objects but as pieces imbued with profound historical, social, and artistic significance, complemented by a detailed catalog.