Sevilla y Corte: An International Congress on the Royal Lustrum's Impact on Seville Arts and History (1729-1733)
Investigating the unprecedented development of fine arts and cultural shifts in Seville during King Felipe V's court.
This international congress, "Sevilla y Corte. Las Artes y el Lustro Real (1729-1733)", delved into the profound effects of King Felipe V's five-year stay in Seville. It examined the historical, political, and economic implications, particularly highlighting the remarkable growth of fine arts during this 'Royal Lustrum'. The discussions covered how this period transformed Andalusian arts and reshaped the regional art market.
About Sevilla y Corte. Las Artes y el Lustro Real (1729-1733) at Museo Nacional de Artes Decorativas in Madrid
Read curatorial context and practical visitor information for Sevilla y Corte. Las Artes y el Lustro Real (1729-1733) at Museo Nacional de Artes Decorativas in Madrid
Exhibition summary
This international congress analyzed the consequences of King Felipe V and his court's five-year stay in Seville between 1729 and 1733. It explored the historical, political, and economic impacts on the city, particularly the unprecedented development of fine arts during the 'Royal Lustrum' period and the influx of artists that modified Andalusian arts and the art market.
Curatorial context
This international congress, titled 'Sevilla y Corte. Las Artes y el Lustro Real (1729-1733)', investigated the profound effects of King Felipe V's presence and his court in Seville over a five-year period (1729-1733). The event aimed to study the historical, political, and economic implications of this royal residence, linking them to the significant and previously unparalleled development of the fine arts during what is known as the 'Royal Lustrum'. The congress highlighted how the king's extended stay in Seville attracted prominent intellectuals and artists, including French painter Jean Ranc, Italian artist Andrea Procaccini, composer Domenico Scarlatti, and choreographer Michel Gaudrau. This massive arrival of talent notably influenced the Andalusian fine arts, which had been somewhat detached from contemporary European trends, and permanently reshaped the regional art market.
The session held at the Museo del Traje specifically focused on decorative arts and daily life during this era. It featured interventions by experts such as Fernando Martín and Concha Herrero from Patrimonio Nacional, Jesusa Vega from the Museo Lázaro Galdiano and Universidad Autónoma de Madrid, Álvaro Molina from the Universidad Autónoma de Madrid, and Amalia Descalzo from the Museo del Traje. C.I.P.E. This colloquium offered a detailed look into the material culture and lifestyle associated with the royal court in Seville.
Admission and ticket notes
This event took place on May 8, 2007, in the assembly hall of the Museo del Traje. Further ticketing or admission details are not provided for this historical event, as it was organized in collaboration with Casa de Velázquez and Universidad Pablo de Olavide de Sevilla.
Sevilla y Corte. Las Artes y el Lustro Real (1729-1733) key exhibition facts
Review exhibition status, schedule, venue context, and attribution details for Sevilla y Corte. Las Artes y el Lustro Real (1729-1733) at Museo Nacional de Artes Decorativas in Madrid
Venue
Museo Nacional de Artes Decorativas
Current status
Open now
Exhibition schedule
From May 8, 2007
Artist line / attribution
Notable figures associated with the period and discussed at the congress include French painter Jean Ranc, Italian artist Andrea Procaccini, composer Domenico Scarlatti, and choreographer Michel Gaudrau. Speakers at the Museo del Traje session included Fernando Martín and Concha Herrero (Patrimonio Nacional), Jesusa Vega (Museo Lázaro Galdiano and Universidad Autónoma de Madrid), Álvaro Molina (Universidad Autónoma de Madrid), and Amalia Descalzo (Museo del Traje. C.I.P.E.).
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