This dance costume from the late 1860s features a low-cut, short-sleeved bodice and a long skirt with a train, made of mauve silk. It exemplifies the evolving female silhouette of the mid-19th century, influenced by the crinoline and the development of the 'miriñaque' (cage crinoline). The ensemble includes intricate detailing on the bodice and a decorative belt.
This 'traje de baile' (dance costume), dated to the late 1860s, is a sophisticated ensemble crafted from mauve silk. It comprises a low-cut, short-sleeved bodice adorned with Chantilly lace, and a long skirt with a train. The design reflects the fashion of the era, particularly the trend towards greater volume at the back of skirts, facilitated by undergarments like the 'miriñaque' (cage crinoline).
The bodice features a wide, rounded neckline and a fitted waist, reinforced with internal boning and a cotton cinturilla for structure. The short, puffed sleeves made of tulle add to its evening wear appropriate design. The skirt, with its ample train, is gathered at the waist and detailed with pleats, while the hem is reinforced for structure. A striking belt, embellished with lace and satin ribbons, completes the outfit, highlighting the importance of waist adornment in the period. The text also delves into the evolution of the female silhouette, from voluminous petticoats to the revolutionary cage crinoline, and discusses the social context and etiquette surrounding formal attire in the 19th century, distinguishing between daywear, walking attire, and evening gowns. This piece is a prime example of the luxurious and technically detailed clothing created for formal social occasions.