This exhibition explores the influence of artistic avant-garde movements such as Orphism, Cubism, and Surrealism on fashion between 1914 and 1939. It details the shift towards practical, tailored styles post-WWI and the evolution of silhouettes, including the 'garçonne' look of the 1920s and a return to more conservative styles after the 1929 economic crash.
The 'Vanguardias y moda (1914-1939)' exhibition delves into a transformative period in fashion history, marked by the seismic shifts brought about by the First World War and the flourishing of artistic avant-garde movements. As European women took on new roles, fashion evolved from the restrictive styles of the 19th century to more practical, tailored silhouettes. The interwar years saw decisive influences from artistic currents like Orphism, Cubism, and Surrealism, which shaped the era's attire.
The exhibition highlights the 'à la garçonne' style of the 1920s, characterized by its straight lines and a departure from defining the waist. Following the 1929 economic downturn, fashion trends shifted towards a more conservative aesthetic, re-emphasizing the feminine form. This period also witnessed women designers like Madeleine Vionnet, Gabrielle Chanel, Jeanne Lanvin, Alix Grès, and Elsa Schiaparelli rising to prominence, significantly shaping the landscape of haute couture and ready-to-wear.