This exhibition at the Juan March Institute provides a fresh look at Robert Rauschenberg's entire body of work, framed as a photographic practice. It delves into his groundbreaking approach to incorporating images through various techniques, from early collages to his serigraphy and personal photography. Visitors can trace Rauschenberg's innovative use of visual elements from the 1950s through to the late 1990s, highlighting key phases of his career.
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This exhibition at the Juan March Institute reinterprets the entire work of Robert Rauschenberg as a photographic practice. It explores his innovative use of images through collage, serigraphy, and his own photography, highlighting key moments from the 1950s to 1999.
Coinciding with the centenary of his birth and supported by the Robert Rauschenberg Foundation, this exhibition at the Juan March Institute revisits the influential artist. The exhibition frames Rauschenberg's extensive oeuvre as an essentially photographic practice. Rauschenberg began using a camera in the 1950s under the guidance of Hazel Larsen and Aaron Siskind. In his iconic Combines, he incorporated news clippings into canvases through collage, and from 1962, he used serigraphy to transfer images directly onto canvas in his Silkscreen paintings. Initially employing published press photographs, Rauschenberg began working primarily with his own snapshots from 1983 onwards. This appropriation of images was groundbreaking, marked by significant artistic technique development and an approach based on a lack of hierarchy, akin to his concept of 'random order.' The exhibition focuses on key phases of his career centered on this use of imagery, starting with photographs from his time at Black Mountain College in the 1950s and concluding with the autobiographically tinged series 'Ruminations' from 1999.
Information about the exhibition catalog and related items is available for purchase in the museum shop. Specific details regarding admission or booking for the exhibition itself are not provided on this page, but a program of related activities including an opening and a colloquium is listed with dates in October and November 2025, and a projection in December 2025.
Review exhibition status, schedule, venue context, and attribution details for Robert Rauschenberg: el uso de las imágenes at Juan March Institute in Madrid
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