This exhibition at the Museo Nacional del Romanticismo commemorates the bicentennial of the Trienio Liberal. Delve into the events of the 'Cien Mil Hijos de San Luis' French intervention and the downfall of Spain's constitutional period. Discover key historical artifacts from the museum's collection that illuminate this significant turning point in the 19th century.
Read curatorial context and practical visitor information for Amargo final: los Cien Mil Hijos de San Luis at Museo del Romanticismo in Madrid
This exhibition marks the final chapter of the Museo del Romanticismo's commemoration of the Trienio Liberal (1820-1823). It details the downfall of this brief constitutional period, focusing on the French intervention by the 'Cien Mil Hijos de San Luis' and the subsequent return to absolutism. The exhibition features pieces from the museum's collection that contextualize this historical turning point.
The Museo Nacional del Romanticismo presents the concluding episode of its multi-year exhibition project commemorating the bicentennial of the Trienio Liberal (1820-1823). Titled 'Amargo final: los Cien Mil Hijos de San Luis,' this exhibition focuses on the twilight of this short-lived constitutional era during Fernando VII's reign. It delves into the events following the Congress of Verona in October 1822, which led to the agreement by the Holy Alliance and France to intervene in Spain with the French army known as the 'Cien Mil Hijos de San Luis.' The narrative recounts the French invasion initiated in April 1823, supported by royalist guerrillas, and its relatively swift advance due to provided supplies. The liberal government and Cortes relocated from Madrid to Seville and later to Cádiz, declaring Fernando VII incapacitated and establishing a Regency. The exhibition highlights key artifacts, including a print by Andrés Rosi depicting the defeat of the constitutional army and José Aparicio Inglada's painting 'Desembarco de Fernando VII en el Puerto de Santa María,' illustrating the King's meeting with the Duke of Angoulême. It concludes by detailing the King's subsequent return to absolutism during the 'Década Ominosa' (1823-1833), marked by repression, the execution of Rafael del Riego, and the suppression of the press, as evidenced by items like a print of Riego's execution and an exemplar of the newspaper 'El Restaurador.'
The exhibition is open from May 25 to September 4, 2022, in Sala III (Antesalón) at the Museo Nacional del Romanticismo. Opening hours are Tuesday to Saturday from 9:30 AM to 8:30 PM, and Sundays and holidays from 10:00 AM to 3:00 PM. Further information can be obtained via email or phone, and a brochure is available for download.
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